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1、The comparison of female awareness from The West Chamber and The Peony PavilionAbstract：Many literary works reflect the theme of feminism, which is very common in Chinese classical works. The West Chamber and The Peony Pavilion are classic works with women as the main body, among them, the content o
2、f women awakening consciousness has great research value. Cui Yingying in The West Chamber, one of the Chinese ancient literature is a classic image of the courage to rebel, the courage to declare war against the feudal forces, she represents the first awakening of the ancient Chinese women consciou
3、sness. Du Liniang in The Peony Pavilion, required that women should be given their own power, that is, the demand for men, she thought that women should have the right to have love, Is the real awakening of the ancient Chinese womens consciousness. In order to explore the process of the awakening of
4、 female consciousness, the author discusses the details of female consciousness in Chinese classical literature from the perspective of the society at that time.Key words: The West Chamber; The Peony Pavilion; female consciousness; awakening1 Introduction1.1 Conception of Female AwarenessWhen it com
5、es to female literature, female consciousness and other terms, people will naturally think of the Western feminist culture and the feminist movement, these two kinds of activities directly influence and promote our countrys two feminist literary trend of thought: the five-four period and the new per
6、iod. Indeed, the two cultural trend of prosperity is based on the fact that the feudal society in our country is centered on the male power for thousands of years, and it is the expression of women pursuit of freedom and equality1. In particular, the new era of feminist literary creation is to focus
7、 on the eyes of women own value, destiny, the way of feeling, such as the spirit of the content, and the feminist literary creation has been pushed to a new height. However, any kind of cultural thoughts are not impossible, from the image of women in China during the Ming and Qing Dynasties represen
8、tative literary works in the body, we can see the initial awakening of female consciousness and deepening. These women have a high degree of typicality, in contrast, it can be a significant part of the women social mentality. At the same time, they also prompted more women to re-examine their own va
9、lue and destiny, calling for the arrival of the era of women Liberation in a broader sense.The awakening of female consciousness in Yuan, Ming and Qing Dynasties was closely related to the social situation. The Yuan Dynasty is foreign reign, the rulers of feudal ethical concept, however, with the fu
10、rther development of feudal rule, they came to realize the importance of the rule of feudal doctrine and the restraint of people, and to advocate the neo-Confucianism, whose claim is the statue of justice, stifling desire, and this theory was formed by Song Dynasty, publicized the Ethics of Three ca
11、rdinal guides, in order to bind humanity and consolidate their feudal rule. The alternation of dynasties in Ming and Qing Dynasties did not change the autocratic rule, on the contrary, the situation of using the Neo Confucianism to suppress the desire of people continue to increase. Although the feu
12、dal society has been gradually formed a spent force, but for thousands of years of male domination has become a heavier yoke of women. Where there is oppression, there is resistance, and the heavier the oppression, the more violent it is2. Therefore, in the yuan and Ming and Qing Dynasties, the lite
13、rary works of women were oppressed and persecuted, the female oppression in the spirit of revolt and fight for freedom of personality are increasingly strong, females consciousness is gradually awakening. Representative works from this period - The West Chamber, The Peony Pavilion from the image of
14、women, we can see the gradual awakening and deepening of women self-consciousness as a microcosm of the times.1.2 Female Awareness in The West ChamberThe West Chamber is the description of young men and women bold pursuit of love poems. The typical pursuit of independent marriage, first appeared in
15、the works of Cui Yingying is shaping Chinas classical drama literature in resisting feudalism aristocratic girl, on her show sprout of female consciousness.The awakening of Cui Yingyings female consciousness is first manifested in her courage to break through the shackles of traditional marriage, fo
16、r independent marriage. Women in feudal society is always in strict control of Confucianism, with the three obedience and the four virtues. In marriage, a young woman without autonomy, does not exist with men from the mutual admiration to marry such a love as a link to the marriage. Miss Yingying gr
17、ew up in the country the traditional ethical constraints, her fate like many women entirely in the hands of parents of feudal. When her father was alive, he set the engagement for Ying Ying and Zheng Heng, and Zheng Heng is the son of Zheng minister. This is the path of life what she should follow,
18、Ying Ying because of years of feudal education, so deeply understand this point. However, with the Confucianism to suppress human desire is contrary to human nature, How can the strict control of the feudal parents imprison the girls desire for le one after another feudal ethics and traditional marr
19、iage challenge. Howeveove3? Ever since she fell in love with zhang, the seeds of love sprout in her heart, youth awakening arouse her heart the smouldering passion, emotion driven, strong desire for their own marriage, her courage to makr, the road of resistance is not plain sailing. For Yingying pe
20、rsonally, ethics and emotion, the conflict between reality and ideal is not easily go beyond the divide. Sun Feihu led the people surrounded the temple, mothers promise, gave her a slim chance of survival, but after her mother with the authority of the public default has finally made her realize: Th
21、ere is no hope of putting ones fate on others, happiness depends on their own to fight for. After a series of twists and turns with deep self struggle, Yingying decided to abandon the traditional marriage, she made the choice of independent marriage. It seems very alarming at the time, is an importa
22、nt manifestation of the awakening of female consciousness against the law.1.3 Female Awareness in The Peony Pavilion If the image of Cui Yingying reflects the awakening of female consciousness is also accompanied by the struggle of self repetition, in a state of half open and half, Then, Du Liniang
23、to love the unremitting pursuit, even showing the new requirements of women pursuit of individuality liberation. The Peony Pavilion once published it produced a broad and strong response, The West Chamber are almost on sale. Du Liniang embodies more conscious and distinct female consciousness than C
24、ui Yingying, that is why the image of eternal artistic charm.First of all, compared with the awakening of Cui Yingyings self-consciousness, the awakening of Du Liniang has a greater degree of initiative.Yingying still exists with the young man a chance encounter each other, to arouse her appearance,
25、 the pursuit of love and desire, while Du Liniang is more heavily under the control of confucianism. In addition, her living place embroider building is a study, people in addition to parents, the maid, is stupid rotten teacher does not exist with the young man encounter opportunities, there is no a
26、 man like to woo her. Of course, it can not be like the maid Chunxiang matchmaker that would give her to help her life more strictly in the hands of parents control. Mother even skirt, a pair of birds are not afraid of your daughter to see, affect its emotions, they want to develop a daughter of Ger
27、man, words, volume, power and standard of the feudal lady4. However, the ancient song actually arouses her lurking in the heart of love desire. In the book of poems, the natural scenery could arouse the hearts of the most primitive life desire and longing for love, which shows the strong sense of se
28、lf, it can also be seen as the people of the depth of the awakening of the youth.Secondly, if the process of Yingying self-awareness show some twists and turns, euphemism, so searching for love and the pursuit of ultra limit from first to last, the thoroughness of individual consciousness is more pr
29、ominent. Again, the decisive Du survived to defend love, reflects the further deepening of the self consciousness. After the resurrection Du bound once again by reality ethics clamp. In the face of his father does not recognize the plight of her son, she began to defend the love of another effort. A
30、s can be seen from Du Liniangs pursuit of personal emotions is just the nature of awakening, but resistance to the feudal ethics but with a greater degree of individuality color.1.4 Literature ReviewTong Yinti (2002) in her article mainly compared the three novels, The West Chamber, The Peony Pavili
31、on and A Dream in Red Mansions. Through the analysis of the awakening of female consciousness in the three novels, in order to understand the awakening of women consciousness in Yuan Ming and Qing Dynasties. Tingley Patricia A, Dore Katherine A,Lopez Anita,Parsons Heather,Campbell Elizabeth,Bird Eli
32、zabeth Kay-Raining,Cleave Patricia (2004) mainly analyzes the awakening of female subject consciousness in The Peony Pavilion, and points out that the story is on the surface in the Song Dynasty, the author of the Song Dynasty is actually borrowed characters and stories reflect the female status and
33、 female consciousness in the Ming dynasty. Under the influence of this trend of thought, not only many scholars have made great changes to women knowledge, but also women own subjective consciousness has begun to awaken.2 Comparative Analysis of Female Awareness of the Main Characters 2.1 Cui Yingyi
34、ng and Du Liniang2.1.1 The Same Points of Their Female AwarenessThe social psychology pointed out that human consciousness is a continuous process of awakening, the awakening of love and marriage through the first show, means that people are free to choose the life partner, behavior of self free. Th
35、erefore, the self-consciousness of the female image in the play is reflected in the choice of the spouse and the right to pursue marriage and happiness.Wang Shifus Cui Yingying is a beautiful, virtuous, gentle lady. But she can only live in the shackles of feudal ethical code, in this lonely boudoir
36、, her fate like so many women, had mastered in the feudal parents hands. Her father had set an engagement with Zheng Shangshu long before his death. And many years of feudal education Yingying know, she can only pursue the pursuit of life. However, Yingying is youth, for such an established life ful
37、l of endless anguish fallen flower, in gloomy mood, Speechless blame is Dongfeng reflect her female consciousness of germination5. And when she met the scholar Zhang Sheng in Pujiu Temple, and fall in love with him, she stuck to the contradiction in extreme pain, one side is your sweetheart and happ
38、iness, the other side is aware of the ethical constraints, then what she should do. Through their own hard struggle and the Hongniang layers of help, Yingying boldly made their own pursuit of happiness and freedom of marriage pace. Finally, after a series of twists and turns, they have a good story.
39、The image created by Tang Xianzu Du Liniang and Yingying similar, they are all beautiful great lady. But Du Liniangs confinement was more serious than that of the Yingying. She did not like Yingying that can meet their beloved master Zhang in the universalist temple, she can only by dream to find he
40、r love. Her only contact with two men, one is the strict discipline of their father, the other is hidebound Chen zuiliang. Her life is sewing, recite the four ring. Living in the office for three years, even after the garden has been, to reach the acme of Du Liniang. No loneliness and melancholy of
41、youth, inspired her to life in love. The nature of the joys of spring charming spring, awakening a girl by Confucianism poison heart the most primitive human desire, wake up deep in the hearts of female consciousness Du. She was dissatisfied with the monotony of life, depressed, she would like to pi
42、ck up their own wasted time, all of which have begun to actively pursue her ideal love and happiness of freedom of marriage. Since, in a closed environment, can not meet with their loved ones, then in the dream to find. Du Liniang and his love in the dream of seeing Liu Mengmei, but after wake up an
43、d find that everything is illusory, but finally to death due to miss Liu Mengmei. To the underworld, into a ghost, still do not forget Liu Mengmei, still with its private. The dedication touched Hades, finally let the resurrection and Liu Mengmei married.2.1.2 The Different Points of Their Female Aw
44、arenessThe author thinks that Cui Yingying and Du Liniangs awakening of female consciousness, the awakening of the female closer to the true self, more in line with the human nature and the desire of the people in the world of the awakening of the female consciousness of the people of the world. Thi
45、s can understand from two aspects, first of all, from the love germination stage, the West Chamber in Cui Yingying and Zhang is in front of the Buddha at first sight, mutual attracted by your appearance. There is such a woman wrote the play, not on the look of Tianzi said, only the value of one hund
46、red feet, manganese gold. For Zhang Juan and Italy, as in this silent review at, and Zhang see Cui after surprise envy echoes. This love a love, a love of the West constitute the basis of it6. But we still want to say a few words, first of all, we see Yingying under the temple at this review, it is
47、not difficult to imagine, to see more students is a handsome appearance, because there are Zhiyanbanyu morphology, has not yet had time to exchange a pair of young men and women, there is no more spiritual love and attractive. Secondly, we see Zhang Yingying eyes, at this time the reason for Zhang Y
48、ingying Dunsheng love, her beauty was completely conquered. Du Liniang, by contrast, was not so lucky, she had no chance to meet her lover. The West Chamber for Zhang and Cui Yingyings love of heaven provides more broad opportunities, but also provides more freedom to initiate their love. And Du Lin
49、iang is not likely to have such a chance, she can only find the starting point of their love in the dream. So, on the germination of love alone, Du Liniang is doomed to be harder to find than Cui Yingying, in which the embodiment of female consciousness, it must be and must be more resolute and thorough than Cui Yingying. Secondly, we look at the development of love in the end, the West Chamber, yingying and Zhang love based on feudal doctrine, opposed to t