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1、历年考研英语英译汉真题 除了背模板外，还要学会整理模板，因为市面上的模板都一模一样，考试时干脆套用是得不到高分的，须要大家在其中加入自己的思路、见解和想法，让模板在不丢失其灵魂的状况下变得新奇，下文是我为你细心编辑整理的历年考研英语英译汉真题，希望对你有所帮助，更多内容，请点击相关栏目查看，感谢! 历年考研英语英译汉真题1 Read the following text carefully and then translate the underlined sentences into Chinese. Your translation should be written neatly on
2、the ANSWER SHEET. (10 points) Within the span of a hundred years, in the seventeenth and early eighteenth centuries, a tide of emigration-one the great folk wanderings of history-swept from Europe to America. (46) This movement, driven by powerful and diverse motivations, built a nation out of a wil
3、derness and, by its nature, shaped the character and destiny of an uncharted continent. (47) The United States is the product of two principal forces-the immigration of European peoples with their varied ideas,customs and national characteristics and the impact of a new country which modified these
4、traits. Of necessity, colonial America was a projection of Europe. Across the Atlantic came successive groups of Englishmen, Frenchmen, Germans, Scots, Irishmen, Dutchmen, Swedes, and many others who attempted to transplant their habits and traditions to the new world. (48) But the force of geograph
5、ic conditions peculiar to America, the interplay of the varied national groups upon one another, and the sheer difficulty of maintaining old-world ways in a raw, new continent caused significant changes. These changes were gradual and at first scarcely visible. But the result was a new social patter
6、n which, although it resembled European society in many ways, had a character that was distinctly American. (49) The first shiploads of immigrants bound for the territory which is now the United States crossed the Atlantic more than a hundred years after the 15th-and-16th-century explorations of Nor
7、th America. In the meantime, thriving Spanish colonies had been established in Mexico, the West Indies, and South America. These travelers to North America came in small, unmercifully overcrowded craft. During their six-to twelve-week voyage, they survived on barely enough food allotted to them. Man
8、y of the ships were lost in storms, many passengers died of disease, and infants rarely survived the journey. Sometimes storms blew the vessels far off their course, and often calm brought unbearably long delay. To the anxious travelers the sight of the American shore brought almost inexpressible re
9、lief. Said one recorder of events, "The air at twelve leagues' distance smelt as sweet as a new-blown garden." Thecolonists' first glimpse of the new land was a sight of dense woods.(50)The virgin forest with its richness and variety of trees was a real treasure-house which extende
10、d from Maine all the way down to Georgia. Here was abundant fuel and lumber. Here was the raw material of houses and furniture, ships and potash, dyes and naval stores. 46)在多种强大的动机驱动下，这次运动在一片荒野上建起了一个国家，其本身塑造了一个未知大陆的性格和命运。 47)美国是两种主要力气的产物-即思想习俗、民族特色各异的欧洲移民和修改这些特征的新国家的影响的产物。 48)但由于美国特有的地理条件,不同民族的相互作用,
11、以及维护原始老式方式的纯粹困难,新大陆引起了重大改变。 49)在15-16世纪北美探究的一百多年之后，运往该领土-即当今的美国-的第一船移民横渡了大西洋。 50)拥有丰富多样树种的原始森林是一个真正的宝库，它从缅因州始终延长到乔治亚州。 历年考研英语英译汉真题2 Part C Directions: Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written on the ANSWER SHEET(10
12、points) Music means different things to different people and sometimes even different things to the same person at different moments of his life. It might be poetic, philosophical, sensual, or mathematical, but in any case it must, in my view, have something to do with the soul of the human being. H
13、ence it is metaphysical; but the means of expression is purely and exclusively physical: sound. I believe it is precisely this permanent coexistence of metaphysical message through physical means that is the strength of music.46) It is also the reason why when we try to describe music with words, al
14、l we can do is articulate our reactions to it, and not grasp music itself. Beethovens importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure. Sometimes I feel in his late works a w
15、ill to break all signs of continuity. The music is abrupt and seemingly disconnected, as in the last piano sonata. In musical expression, he did not feel restrained by the weight of convention. 47) By all accounts he was a freethinking person, and a courageous one, and I find courage an essential qu
16、ality for the understanding, let alone the performance, of his works. This courageous attitude in fact becomes a requirement for the performers of Beethovens music. His compositions demand the performer to show courage, for example in the use of dynamics. 48) Beethovens habit of increasing the volum
17、e with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him. Beethoven was a deeply political man in the broadest sense of the word. He was not interested in daily politics, but concerned with questions of moral behavior and the
18、larger questions of right and wrong affecting the entire society.49) Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression. Beethovens music tends to move from
19、chaos to order as if order were an imperative of human existence. For him, order does not result from forgetting or ignoring the disorders that plague our existence; order is a necessary development, an improvement that may lead to the Greek ideal of spiritual elevation. It is not by chance that the
20、 Funeral March is not the last movement of the Eroica Symphony, but the second, so that suffering does not have the last word. 50) One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living. 46. 这也是为什么当我们试图用语言来描述音乐时
21、，我们只能明确表达我们对于音乐的感受，而不能完全理解音乐本身。 47. 人们普遍认为，他(贝多芬)是个思想自由、充溢志气的人，我发觉志气这一品质，是理解他作品的关键，更不必说是演出其作品的关键。 48. 贝多芬习惯最大限度来渐渐增高音量，然后突然跟上温柔的乐段，在他之前，作曲家很少运用这种方式。 49) 尤为重要的是贝多芬对于自由的看法，他认为，这种自由是与个人的权利和责任联系起来的：他提倡思想自由和个人言论自由。 50.我们可以这样说明贝多芬的大部分作品：苦难是不行避开的，但是与苦痛抗争的志气使得生命值得接着。 历年考研英语英译汉真题3 Read the following text car
22、efully and then translate the underlined segments into Chinese. Your translation should be written clearly on ANSWER SHEET 2. (10 points) It is speculated that gardens arise from a basic need in the individuals who made them: the need for creative expression. There is no doubt that gardens evidence
23、an impossible urge to create, express, fashion, and beautify and that self-expression is a basic human urge; (46) Yet when one looks at the photographs of the garden created by the homeless, it strikes one that , for all their diversity of styles, these gardens speak os various other fundamental urg
24、es, beyond that of decoration and creative expression. One of these urges had to do with creating a state of peace in the midst of turbulence, a “still point of the turning world,” to borrow a phrase from T. S. Eliot. (47)A sacred place of peace, however crude it may be, is a distinctly human need,
25、as opposed to shelter, which is a distinctly animal need. This distinction is so much so that where the latter is lacking, as it is for these unlikely gardens, the foemer becomes all the more urgent. Composure is a state of mind made possible by the structuring of ones relation to ones environment.
26、(48) The gardens of the homeless which are in effect homeless gardens introduce from into an urban environment where it either didnt exist or was not discernible as such. In so doing they give composure to a segment of the inarticulate environment in which they take their stand. Another urge or need
27、 that these gardens appear to respond to, or to arise from is so intrinsic that we are barely ever conscious of its abiding claims on us. When we are deprived of green, of plants, of trees, (49)most of us give into a demoralization of spirit which we usually blame on some psychological conditions, u
28、ntil one day we find ourselves in garden and feel the expression vanish as if by magic. In most of the homeless gardens of New York City the actual cultivation of plants is unfeasible, yet even so the compositions often seem to represent attempts to call arrangement of materials, an institution of c
29、olors, small pool of water, and a frequent presence of petals or leaves as well as of stuffed animals. On display here are various fantasy elements whose reference, at some basic level, seems to be the natural world. (50)It is this implicit or explicit reference to nature that fully justifies the us
30、e of word garden though in a “liberated” sense, to describe these synthetic constructions. In them we can see biophilia- a yearning for contact with nonhuman life-assuming uncanny representational forms. 46. yet, when one looks at the photographs of the gardens created by the homeless, it strikes on
31、e that, for all their diversity of styles, these gardens speak of various other fundamental urges, beyond that of decoration and creative expression. 【参考译文】然而，看着无家可归者绘制出的花园图片时，人们会突然想到，尽管这些花园风格多样，它们都显示了人类除了装饰和创建性表达之外的其他各种基本诉求 47. A sacred place of peace, however crude it may be, is a distinctly human
32、 need, as opposed to shelter, which is a distinctly animal need. 【参考译文】无论地方多么简陋不堪，寻求一片静谧圣土是人类特有的需求，而动物须要的仅是仅是避难栖息之地。 48. The gardens of the homeless, which are in effect homeless gardens, introduce form into an urban environment where it either didnt exist or was not discernible as such. 【参考译文】无家可归者
33、的乐园,事实上是一个毫无家气息的地方,给城市环境带来了一种新的形式。 无家可归者描绘的花园实质上是无所依附的,这些花园把一种形式引入城市环境中，而这样的城市环境中，形式要么根本不存在, 要么就完全不是以这种明显的方式存在。 49. most of us give in to a demoralization of spirit which usually blame on some psychological conditions, until one day we find ourselves in a garden and feel the oppression vanish as if
34、by magic. 【参考译文】我们大多数人会深陷于精神萎靡的状态，并经常将此归咎为一些心理缘由，直到某天我们发觉自己置身花园中，感到如魔法般郁闷尽消 50. It is this implicit or explicit reference to nature that fully justifies the use of the word garden, though in a “liberated” sense, to describe these synthetic constructions. 【参考译文】正是对自然的这种或隐晦含蓄或清楚直白的提及，充分证明了用“花园”一词来描述这些
35、虚拟建筑是合乎情理的，即使是从毫无拘泥的意义来讲的。 历年考研英语英译汉真题4 Directions： Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written carefully on ANSWER SHEET 2. (10 points) With its theme that “Mind is the master weaver，” creating our inner character and
36、 outer circumstances， the book As a Man Thinking by James Allen is an in-depth exploration of the central idea of self-help writing. (46) Allens contribution was to take an assumption we all share-that because we are not robots we therefore control our thoughts-and reveal its erroneous nature. Becau
37、se most of us believe that mind is separate from matter， we think that thoughts can be hidden and made powerless; this allows us to think one way and act another. However， Allen believed that the unconscious mind generates as much action as the conscious mind， and (47) while we may be able to sustai
38、n the illusion of control through the conscious mind alone， in reality we are continually faced with a question： “Why cannot I make myself do this or achieve that? ” Since desire and will are damaged by the presence of thoughts that do not accord with desire， Allen concluded ： “ We do not attract wh
39、at we want， but what we are.” Achievement happens because you as a person embody the external achievement; you dont “ get” success but become it. There is no gap between mind and matter. Part of the fame of Allens book is its contention that “Circumstances do not make a person， they reveal him.” (48
40、) This seems a justification for neglect of those in need， and a rationalization of exploitation， of the superiority of those at the top and the inferiority of those at the bottom. This ，however， would be a knee-jerk reaction to a subtle argument. Each set of circumstances， however bad， offers a uni
41、que opportunity for growth. If circumstances always determined the life and prospects of people， then humanity would never have progressed. In fat， (49)circumstances seem to be designed to bring out the best in us and if we feel that we have been “wronged” then we are unlikely to begin a conscious e
42、ffort to escape from our situation .Nevertheless， as any biographer knows， a persons early life and its conditions are often the greatest gift to an individual. The sobering aspect of Allens book is that we have no one else to blame for our present condition except ourselves. (50) The upside is the
43、possibilities contained in knowing that everything is up to us; where before we were experts in the array of limitations， now we become authorities of what is possible. 46、艾伦的贡献在于供应了我们能分担和揭示错误性质的假设因为我们不是机器人，因此我们能够限制我们的志向。 47、我们可以单独通过意识维持限制的感觉，但事实上我们始终面临着一个问题，为什么我不能完成这件事情或那件事情。 48、这好像可能为必要时的忽视正名，也能合理
44、说明剥削，以及在顶层的人的优越感及处于后层人们的劣势感。 49、环境好像是为了选择出我们的强者，而且假如我们感觉受了委屈，那么我们就不行能有意识的做出努力逃离我们原来的境况。 50、正面在于我们处于这样的位置，知道全部事情都取决于我们自己，之前我们对着一系列的限制，而现在我们成了权威。 历年考研英语本文来源：网络收集与整理，如有侵权，请联系作者删除，谢谢！第17页 共17页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页第 17 页 共 17 页