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1、B4U3 Reading1._ a huge art fan, I knew exactly what I 2._(look) forward to most about my trip to Paris: visiting the Muse dOrsay. 3._(house) in an old railway building, this world-famous art museum 4.f_ some of the best-known paintings from the Impressionist movement of the 19th century. 5._ I wande
2、red through the Impressionist gallery, I appreciated masterpieces like The Ballet Class and The Card Players. Even though I 6._(admire) them hundreds of times on my computer screen, nothing 7._ (prepare) me for the wonder I 8._(feel) when I finally 9._(lay) eyes on the real thing. 10._ it was hard t
3、o pick a favourite painting out of so many amazing works, the artists who 11._(make) the deepest impression 12._ me 13._(be) two of the greatest Impressionist painters, Claude Monet and Pierre-Auguste Renoir. I could see from Monets works that he was greatly inspired by nature. In the last three dec
4、ades of his life he painted 14._(most) scenes from his garden. One of these scenes 15._ (show) in the famous piece Blue Water Lilies, which I studied for quite 16._ while in the gallery. I couldnt believe it 17._ I heard he did around 250 paintings of the same water lily pond, all 18._ different col
5、ours and styles. It is amazing that every time Monet 19._(study) this simple scene, he brought the ponds beauty 20._ the canvas in a unique way. Renoir, I noticed, 21._(prefer) to paint scenes of everyday life. For me, the most interesting of his paintings 22._(be) his 1876 masterpiece Dance at Le M
6、oulin de la Galette, 23._(show) life in a busy neighbourhood of Paris 23+._ a Sunday afternoon. When I saw it up 24.c_, I 25._(strike) by the small areas of light 26.a_ the painting, 27._ the way the soft edges of the figures seemed 28._(mix) together. Theres so much going on, 29._ so little clear d
7、etail. This effect makes the 30._(live) movement of the dance almost jump out 31._ the viewer. 32._ the paintings had very different settings, it was their similarities 33._ stayed with me long after I left the Muse dOrsaysimilarities which can be seen throughout the Impressionists paintings. Monet
8、and Renoir, 34._ with other like-minded artists, 35._(seek) liberation from the rules of the old style. Everyday subject matter was the main focus of their works, as opposed 36._ the history paintings that had traditionally dominated European art. They employed free brushwork and 37._(use) colours t
9、o show the effect of light on things, 38._(create) paintings that 39._(be) far less 40._(real) than the works 41._ came before. To me, these techniques are the essence of the Impressionist view of art. Impressionist artists did not try to paint every detail in 42._ scenejust a brief “impression” the
10、y had at that moment, 43._(burn) with vivid colours and light, before it disappeared. The Impressionists vision inspired a whole new generation of Post-Impressionist painters such as Vincent van Gogh and Paul Gauguin, 44._ works are also displayed at the Muse dOrsay. It is also 45._(worth) of note t
11、hat Post-Impressionist painters were not the only ones 46._(influence) by Impressionismthe movement 47._(have) a lasting influence on modern art, 48._(encourage) artists to look at the world from 49._ entirely new point of view. It certainly 50._(leave) a lasting impression on me too!B4U3 Extended R
12、eadingZhang Zeduans Qingming Scroll is a masterwork of Chinese art. 1._(paint) on a five-metre-long silk scroll, it offers an important insight 2._ life in China in the 12th century. It is 3._(common) believed that the city 4._(describe) in the painting is Bianjing (present-day Kaifeng), 5._ capital
13、 of the Northern Song Dynasty. The ancient scroll 6._(survive) the test of time 7._(remark) well, and is currently housed in the Palace Museum in Beijing.The scroll 8._(consist) of three main sections. The first section presents a peaceful scene of rural life near Bianjing, 9._(feature) crop fields,
14、 a river 10._(wind) through the landscape, and farmers hard at work. The second section shows the riverbanks and the central bridge 11._(live) with activity 12._ boats sail in and out of Bianjing. Civilians can also be seen 13._(walk) through the city gate14._ both directions. The third and final se
15、ction pictures life inside the city 15._ (it). Here, hundreds of people from all walks of life, including butchers, hairdressers and government officials, can be seen going about their daily business. The 16._(combine) of these three sections gives the viewer an idea of 17._ life was like for the pe
16、ople of Bianjing.Zhangs amazing 18._(art) technique is apparent all across the scroll.19._(use) ink on silk, he creates realistic images of scenery, buildings and people, and20._(display) a remarkable mastery of perspective. The 21._(impress) aspect of the painting, however, is probably Zhangs preci
17、se brushwork. This well-developed ability, as well as the scrolls 22._(ambition) size, allows Zhang to show an enormous amount of detail you could study the painting for hours and still discover something new.Thanks to all this fine detail, the Qingming Scroll provides a comprehensive look at life d
18、uring the Northern Song Dynasty, It23._(reveal) a great deal about the 12th-century Chinese customs, clothing, transportation methods, business practices, and a wide range of buildings, such as temples, teahouses and government structures. At first sight, the overall scene of life in the capital cit
19、y appears peaceful and cheerful. However, some critics suggest that on closer 24._(inspect), the painting actually exposes serious 25._(politic) and social problems. Some boats 26._(carry) food do not seem 27._(belong) to the government, 28._(suggest) that the government 29._(lose) control of food s
20、upplies and transportation. Also in the painting are soldiers 30._ appear to ignore their duties. There are some less obvious 31._(indicate) of trouble too. For example, in the centre of the scroll, a boat is in danger of 32._(crash) into the bridge. These sorts of details point to a crisis developi
21、ng in the city. In fact, the Northern Song Dynasty was 33._decline by this stage. About twenty years after the painting was completed, it was overthrown.Zhangs 34._(time) scroll is an important example of 35._(real) in the history of Chinese paintings. Its value is down not only to its great scale,
22、artistic quality and attention to detail, but also 36._ its 37._(represent) of daily life. Such is its worth that several later emperors even asked the 38._(talent) artists of their day to make copies of the scroll. Some of these copies are now regarded as precious works of art in their own right. W
23、ith the Qingming Scroll, Zhang made an outstanding contribution to Chinese art and greatly influenced generations of future artists.The original scroll is still in one piece despite its age, but it is extremely delicate.Because of this, it is not often displayed to the public. The last time it was 3
24、9._ exhibition, crowds waited in line for hours for the rare chance to see the famous painting with their own eyes. The publics continued 40._(enthusiastic) about the Qingming Scroll, even after all these centuries, speaks volumes about the power of this historic piece of art.B4U3 Reading1.As a huge
25、 art fan, I knew exactly what I 2.was looking forward to most about my trip to Paris: visiting the Muse dOrsay. 3.Housed in an old railway building, this world-famous art museum 4.features some of the best-known paintings from the Impressionist movement of the 19th century. 5.As I wandered through t
26、he Impressionist gallery, I appreciated masterpieces like The Ballet Class and The Card Players. Even though I had 6.admired them hundreds of times on my computer screen, nothing 7.could have prepared me for the wonder I 8.felt when I finally 9.laid eyes on the real thing. 10.While it was hard to pi
27、ck a favourite painting out of so many amazing works, the artists who 11.made the deepest impression 12.on me 13.were two of the greatest Impressionist painters, Claude Monet and Pierre-Auguste Renoir. I could see from Monets works that he was greatly inspired by nature. In the last three decades of
28、 his life he painted 14.mostly scenes from his garden. One of these scenes 15.is shown in the famous piece Blue Water Lilies, which I studied for quite 16.a while in the gallery. I couldnt believe it 17.when I heard he did around 250 paintings of the same water lily pond, all 18.in different colours
29、 and styles. It is amazing that every time Monet 19.studied this simple scene, he brought the ponds beauty 20.to the canvas in a unique way. Renoir, I noticed, 21.preferred to paint scenes of everyday life. For me, the most interesting of his paintings 22.is his 1876 masterpiece Dance at Le Moulin d
30、e la Galette, 23.showing life in a busy neighbourhood of Paris 23+.on a Sunday afternoon. When I saw it up 24.close, I25.was struck by the small areas of light 26.across the painting, 27.and the way the soft edges of the figures seemed 28.to mix together. Theres so much going on, 29.but so little cl
31、ear detail. This effect makes the 30.lively movement of the dance almost jump out 31.at the viewer. 32.Although the paintings had very different settings, it was their similarities 33.stayed with me long after I left the Muse dOrsaysimilarities which can be seen throughout the Impressionists paintin
32、gs. Monet and Renoir, 34.along with other like-minded artists, 35.sought liberation from the rules of the old style. Everyday subject matter was the main focus of their works, as opposed 36. tothe history paintings that had traditionally dominated European art. They employed free brushwork and 37.us
33、ed colours to show the effect of light on things, 38.creating paintings that 39.were far less 40.realistic than the works 41.that came before. To me, these techniques are the essence of the Impressionist view of art. Impressionist artists did not try to paint every detail in 42.a scenejust a brief “
34、impression” they had at that moment, 43.burning with vivid colours and light, before it disappeared. The Impressionists vision inspired a whole new generation of Post-Impressionist painters such as Vincent van Gogh and Paul Gauguin, 44.whose works are also displayed at the Muse dOrsay. It is also 45
35、.worthy of note that Post-Impressionist painters were not the only ones 46.to be influenced by Impressionismthe movement 47.has had a lasting influence on modern art, 48.encouraging artists to look at the world from 49.an entirely new point of view. It certainly 50.left a lasting impression on me to
36、o!1.As I wandered in the National Gallery, I was amazed to see all the paintings.Iwondered 2.at the skill of the artists, 3.their use of colour and 4.how they played with light and shade. I observed the brushwork they used 5.to enhance their works.Ienjoyed the whole experience6.to be able to bathe m
37、y senses in this palace of human creativity. It was surprising then to see so many people 7.viewing importantand precious artworks through their smartphones. It might sound 8.shocking, butthey seemed more interested in taking photos and recording videos of artworksthan 9.appreciating them 10.with th
38、eir own eyes. How was it possible, I wondered, to 11.truly appreciate the human touch of a great painting 12.when it 13.was reduced to a few million pixels?14.Looking at artworks through smartphones, I thought, was like trying to appreciate the countryside without 15.being able to hear the birds sin
39、g, feel the breeze 16.against my face or smell the flowers. Moving slowly through the National Gallery, I was determined to keep my smartphone in my bag and appreciate each individual painting 17.with the best camera in the world: my own eyes.B4U3 Extended ReadingZhang Zeduans Qingming Scroll is a m
40、asterwork of Chinese art. 1.Painted on a five-metre-long silk scroll, it offers an important insight 2.into life in China in the 12th century. It is monly believed that the city 4.described in the painting is Bianjing (present-day Kaifeng), 5.the capital of the Northern Song Dynasty. The ancient scr
41、oll 6.has survived the test of time 7.remarkably well, and is currently housed in the Palace Museum in Beijing.The scroll 8.consists of three main sections. The first section presents a peaceful scene of rural life near Bianjing, 9.featuring crop fields, a river 10.winding through the landscape, and
42、 farmers hard at work. The second section shows the riverbanks and the central bridge 11.alive with activity 12.as boats sail in and out of Bianjing. Civilians can also be seen 13.walking through the city gate 14.in both directions. The third and final section pictures life inside the city 15.itself
43、. Here, hundreds of people from all walks of life, including butchers, hairdressers and government officials, can be seen going about their daily business. The bination of these three sections gives the viewer an idea of 17.what life was like for the people of Bianjing.Zhangs amazing 18.artistic tec
44、hnique is apparent all across the scroll. 19.Using ink on silk, he creates realistic images of scenery, buildings and people, and 20.displays a remarkable mastery of perspective. The 21.most impressive aspect of the painting, however, is probably Zhangs precise brushwork. This well-developed ability
45、, as well as the scrolls 22.ambitious size, allows Zhang to show an enormous amount of detail you could study the painting for hours and still discover something new.Thanks to all this fine detail, the Qingming Scroll provides a comprehensive look at life during the Northern Song Dynasty. It 23.reve
46、als a great deal about the 12th-century Chinese customs, clothing, transportation methods, business practices, and a wide range of buildings, such as temples, teahouses and government structures. At first sight, the overall scene of life in the capital city appears peaceful and cheerful. However, so
47、me critics suggest that on closer 24.inspection, the painting actually exposes serious 25.political and social problems. Some boats 26.carrying food do not seem 27.to belong to the government, 28. suggesting that the government has 29.lost control of food supplies and transportation. Also in the pai
48、nting are soldiers 30.who appear to ignore their duties. There are some less obvious 31.indicators of trouble too. For example, in the centre of the scroll, a boat is in danger of 32.crashing into the bridge. These sorts of details point to a crisis developing in the city. In fact, the Northern Song Dynasty was 33.in decline by this stage. About twenty years after the painting was completed, it was over