《2022年《马嵬教案》刘雯教学设计 .pdf》由会员分享,可在线阅读,更多相关《2022年《马嵬教案》刘雯教学设计 .pdf(6页珍藏版)》请在taowenge.com淘文阁网|工程机械CAD图纸|机械工程制图|CAD装配图下载|SolidWorks_CaTia_CAD_UG_PROE_设计图分享下载上搜索。
1、马嵬教学设计知识目标:解决字词,领会诗意。能力目标:1品味诗歌意境,领会诗歌美质。2学习艺术表现手法,培养诗歌鉴赏能力。情感目标:通过吟咏诗文,加深对李商隐诗歌特点的理解。学法指导:诵读、点拨、讨论、总结。课时安排:1 课时教学过程设计:一、导语:当盛唐的繁华落下帷幕,中唐又以其匆匆的步伐走过。曾经空前绝后的大唐王朝到了日薄西山的时候。李白登仙而去,杜甫困顿而逝,白居易、韩愈、柳宗元、刘禹锡的身影也渐渐消失在历史的尘埃之中。末世的余音里,李商隐走来了,这位晚唐的才子,旷世的情种,为大唐的黄昏添上了一道绚丽的余霞。二、咏史诗咏史诗以史为鉴,多抒发兴亡之慨。咏史之作,东汉的班固首开其端,但止于叙述
2、史实,平实无华。至晋朝左思咏史、陶渊明咏荆轲之类,始借题发挥,寄寓怀抱。唐代诗人,如杜甫、刘禹锡等人,则多把咏史与咏怀古迹结合起来,扩大了诗的境界。安史乱后,唐王朝由极盛走向衰败,李商隐对玄宗的失政特别感到痛心,讽刺也特别尖锐。李商隐的咏史诗,主要写南朝和隋朝覆灭旧事及唐朝国家战乱。三、解题天宝十五年(756 年)6 月,安史之乱爆发玄宗逃往四川,至马嵬(陕西兴坪),随行将士不前,杀了杨国忠,并坚决要求处死杨贵妃。不得已令其自缢而死。史称“马嵬之变”。马嵬(其二),是李商隐咏史诗中的佳作,是一首政治讽刺诗。诗作以李隆基(唐玄宗)、杨玉环(贵妃)故事为抒情对象,锋芒指向了李唐前朝皇帝唐玄宗。四、
3、诵读1、教师范读(节拍提示)海外/徒闻/更/九州,他生/未卜/此生/休。空闻/虎旅/传/宵柝,无复/鸡人/报/晓筹。此日/六军/同/驻马,当时/七夕/笑/牵牛。如何/四纪/为天子,不及/卢家/有莫愁。2、学生自由诵读,体会情感。3、学生齐读。五、诗歌欣赏过程:马嵬诗是以马嵬事变中玄宗为“六军”所逼,“赐”杨妃之死的事件,哪几句诗写了这一马嵬之变的事件?空闻虎旅传宵柝,不复鸡人报晓筹。此日六军同驻马,当时七夕笑牵牛。问 1:颔联“虎旅传宵柝”声音对“鸡人报晓筹”,其声音有什么不同?文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 H
4、Z4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2
5、M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 H
6、Z4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2
7、M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 H
8、Z4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2
9、M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 H
10、Z4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9军营内的声音,而后者为宫内声音问 2:军营内的声音加上“空闻”和宫廷内声音加上“不复”,又能使人读出玄宗的哪种境遇?只是听到传来的“宵柝”之声,却不能再听到熟悉的宫内“报晓”声了。显然写出玄宗不在宫内,而身在军营,逃离了皇宫,已在逃难途中,极尽狼狈和慌乱。问 3:“空闻”对“不复”,这运用了哪种表现手法?会收到什么好的艺术效果?对比,突出玄宗的昔安今危,昔乐今苦的生活境遇。问 4:颈联“此日”和“当时”都是指向时间的,前者指向眼前,后者指向以往。以往生活有什么特点?眼前又
11、遇到了情况?前后又有什么关系?玄宗以自己和杨妃的朝夕相处讥笑牛郎织女的一年一次的七夕相会,实则写出了玄宗迷恋情色,荒废朝政,致使战祸发生。眼前是写“六军”同时“驻马”不前,未写不前原因,但原因不甚明了,要求“赐”死杨妃,杨妃是美女,美女自古便有祸水一说,显然前后句是倒行逆施的因果关系。问 5:颈联在艺术表现手法有何特点?对比杨妃“赐”死后,玄宗异常悲伤,哪些诗句写出了玄宗之悲?海外徒闻更九州,他生未卜此生休。文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3
12、D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1
13、N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3
14、D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1
15、N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3
16、D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1
17、N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3
18、D6 HZ4V9B2C4C1 ZG3Q1N6C2M9问 1:玄宗派人招魂,方士回来说“海外”还有“九州”,杨妃生活在那里,信守“世世为夫妻”誓约,这可信吗?哪个词语和句子戳破了这种说法?不可信,“徒闻”一词否定了方士的话,“他生未卜此生休”,来生微茫难求,但今生一起缘分断绝,已是事实。问 2:这样以神仙怪诞和生死轮回来写玄宗痴心梦想,这样写有什么好处?思杨妃之切,故有异常之举。这种举动正是极尽曲折写出玄宗之悲。对于这些诗人李商隐发出了什么慨叹?如何四纪为天子,不及卢家有莫愁。问 1:从内容上看前后句有什么特点?对比,贵为天子多年却无力保护心爱女人对比寻常百姓却能给莫愁幸福。问 2:从语气上看又
19、有什么特点?反问。贵为天子能保护自己的子民,何况自己心爱女人,但“不及卢家有莫愁”,这一问问出了为什么会出现这种不正常的情况,问得有力,令人掩卷深思,其讥讽之意愈明。小结上面讲内容的过程,先有“马嵬之变”,而后才有“玄宗之悲”,最后才有“义山之叹”,但诗歌在某篇布局上却不是这样的,说说马嵬诗的叙事结构上的特点?倒叙,从整体上倒叙使尺幅之间,一波三折;从局部上看倒叙文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C
20、2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6
21、HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C
22、2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6
23、HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C
24、2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6
25、HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C
26、2M9突出因果。对比、倒叙和讥讽都是本诗的特点,请同学们当堂诵读并背诵全诗,领会其特点。六、板书:马 嵬(其二)玄宗之悲(荒诞)马嵬之变(对比)讥讽义山之叹(对比、反问)七、布置作业:背诵,并在反复诵读的过程中体会诗中情感。文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1
27、 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5
28、K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1
29、 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5
30、K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1
31、 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5
32、K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1
33、 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5
34、K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1
35、 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5
36、K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1
37、 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5
38、K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9