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1、口技一、作家作品林嗣环：字铁崖,清代顺治年间进士。口技出自虞初新志秋声诗自序，虞初新志是清代张潮编选的笔记小说。二、文言词语（一）重点词语通假字：满座寂然（“坐”通“座”，座位）词语活用：1.京中有善口技者。（善：形容词活用为动词，擅长）2.不能名其一处也。（名：名词动词，说出。）3.会宾客大宴。（宴：名词动词，举行宴会。）4.满坐宾客无不伸颈，侧目（目：名词动词，用眼睛看。）5.妇手拍儿声（手：名词状语，用手。）6.妇抚儿乳（乳：名词动词，喂奶。）重要实词：京中有善口技者（善，擅长。者，的人）会宾客大宴（会，适逢，正赶上。宴，举行宴会，用作动词）施八尺屏障（设置，安放）众宾团坐（围绕而坐）但
2、闻屏障中抚尺一下（只）满坐寂然，无敢哗者（静悄悄）便有妇人惊觉欠伸（打哈欠，伸懒腰）其夫呓语（说梦话）妇抚儿乳（喂奶）众妙毕备（全、都）宾客意少舒（意，心情。少，稍微）中间力拉崩倒之声（夹杂）虽人有百手（即使）不能名其一处也（说出，用作动词）以为妙绝（以为，认为。妙绝，极点）变色离席（色，脸色。座，座位）奋袖出臂（扬起、举起）两股战战（股，大腿。战战，打哆嗦，打战）几欲先走（几，几乎，差点儿。走，跑）曳屋许许声（拉）（二）古今异义1.但闻屏障中抚尺一下古义（只，仅）今义（但是，表示转折的连词）2.宾客意少舒古义（稍微）今义（跟“多”相反）3.虽人有百手古义（即使，表假设的连词）今义（虽然，表转
3、折的连词）4.两股战战，几欲先走股：古义（大腿）今义（屁股）；走：古义（跑）今义（步行）5.微闻有鼠作作索索微：古义（隐隐约约）今义（小，细微）；闻：古义（听）今义（用子嗅）文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K
4、3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B
5、8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K
6、3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B
7、8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K
8、3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B
9、8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T36.会宾客大宴古义（适逢，正赶上）今义（会议）7.当是时，妇手拍儿声古义（这，指示代词）今义（判断动词）8.中间力拉崩倒之声古义（其中夹杂着）今义（方位名词，指里面）9.稍稍正坐古义（渐
10、渐）今义（稍微）（三）一词多义指：1.手有百指（名词，手指）2.不能指其一端（动词，指出）妙：1.众妙毕备（名词，妙处）2.以为妙绝（形容词，美妙，奇妙）作：1.有鼠作作索索（拟声词）2.百千齐作（动词，开始，文中是发出声音）间：1.中间力拉崩倒之声（动词，夹杂）2.遂于外人间隔（动词，间断）是：1.当是时（介词，这）2.问今是何时（判断动词）坐：文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:
11、CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F
12、4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:
13、CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F
14、4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:
15、CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F
16、4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T31.满坐寂
17、然（名词，通“座”）2.众宾团坐（动词，坐）名：1.不能名其一处也（动词，说出）2.自为其名（名词，姓名，名称）绝：（1）以为妙绝；佛印绝类弥勒；绝 yan 多生怪柏（极，非常。）（2）群响毕绝；哀转久绝（尽，消失。）（3）奇山异水，天下独绝（独一无二）（4）猿则百叫无绝（停，断）（5）来此绝境（与世隔绝）（6）沿溯阻绝（断绝）夫：（1）未几，夫齁声起（丈夫，女子的配偶）（2）予观夫巴陵胜状（那）（3）嗟夫！（表感叹）乳：（1）妇抚儿乳（喂奶）（2）儿含乳啼（乳头）之：（1）于厅事之东北角；故时有物外之趣；益慕圣贤之道；脱笼之鹄；心之所向；曝沙之鸟（结构助词，表修饰，的）（2）久之，目似瞑，意
18、暇甚（助词，无义，补充音节）（3）当余之从师也；两狼之并取如故；如倩女之靧面而髻鬟之始掠也（用在主谓间，取消句子独立性，不译）文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D
19、1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1
20、HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D
21、1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1
22、HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D
23、1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1
24、HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3（4）何陋之有（宾语前置，无实义）（5）送杜少府之任蜀州（动词，往、去）（6）昂首观之（代词）三、重点句子翻译：会宾客大宴，于厅事之东北角，施八尺屏障，口技人坐屏障中，一桌、一椅、一扇、一抚尺而已。满坐宾客无不伸颈，侧目，微笑，默叹，
25、以为妙绝。中间力拉崩倒之声。曳屋许许声。虽人有百手，手有百指，不能指其一端；人有百口，口有百舌，不能名其一处也。于是宾客无不变色离席，奋袖出臂，两股战战，几欲先走。四、文章分析（一）段落层次与段意归纳全文可分为三部分：第一部分（1 段）：交代口技表演者和表演的时间、地点、设施、道具，以及开演前的气氛。这部分是下文记叙精彩表演的铺垫。第二部分（24 段）：写表演者的精彩表演和听众的反应。第一层（2 段）：写表演一家人深夜被犬吠惊醒的情形，以及宾客对口技表演的由衷赞叹。第二层（3 段）：写表演一家人由醒复睡的情形，以及宾客的情绪变化。文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9
26、B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7
27、K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9
28、B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7
29、K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9
30、B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7
31、K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9
32、B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3第三层（4 段）：写表演突然而至的大火灾的情形，以及宾客以假为真的神态、动作。第三部分（5 段）：写表演结束时的情景。再次交代表演者的道具仅“一桌、一椅、一扇、一抚尺而已。”与首段相呼应，说明在演出中未增加任何道具，刚才的精彩表演的确是从“口”中发出的。（二）主旨：本文记叙了一场精彩的口技表演，表现了一位口技艺人的高超技艺，令人深切感受到口技这一传统民间艺术的魅力。（紧扣住一个“善”字展开全文内容）（三）艺术手法：1.正
33、面描写与侧面描写相结合。本文写口技表演，抓住了表演者和听众两个方面：一方面描写口技艺人的表演，直接表现其高超技艺，这是正面描写；另一方面描写听众的神态、动作，以听众的反应烘托其高超技艺，这是从侧面描写。在描写表演过程的三段中都是先写口技艺人的表演，后写听众的反应，从而使表演和效果有机地联系起来，以听众的反应为烘托，从侧面表现口技表演之“善”。本文运用侧面描写表现这场口技表演的魅力，烘托表演者的高超技艺，增强文章的感染力。2.以动写静，以动衬静的描写，表现深夜的寂静气氛。（1）“遥闻深巷中犬吠。”文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
34、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 Z
35、Q9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
36、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 Z
37、Q9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
38、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 Z
39、Q9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
40、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3口技表演是由“遥闻深巷中犬吠。”开始的。这一句写犬吠声，而这犬吠声是远远听到的，并且是从深巷中传来的，这就营造了夜深人静的氛围，把听众带入特定的生活情境中，使听众的注意力自然地被“犬吠”声所吸引，想知道究竟会发生什么事情。这一句既是以动写静，烘托深夜的寂静气氛，又是使一户人家由妇人初醒到全家喧闹的铺垫。（2）“微闻有鼠作作索索，盆器倾侧，妇梦中咳嗽。”这是以老鼠跑动偷食声，“盆器倾侧”声、妇人朦胧中的咳嗽声为反衬，加重深夜的静谧气氛，表现一家人由醒复睡后的
41、沉寂状态，并为下面即将表现的大火灾蓄势。3.首尾照应。文章开头和结尾都交代了道具没有变化，说明这场精彩的口技表演确实是一个人通过“口”来完成的，突出口技表演技艺的高超，也使文章结合得更加紧凑。4.行文有波澜。整个口技表演由简到繁，由迟缓到紧张。第一个场景由“犬吠”引入，一家四口被惊醒，终于四声齐发，形成第一个波澜；第二个场景是声情潜伏期，承上启下，过渡；第三个情景，突然“火起”，救火是表演的高潮。五、考题：见日照市 2010 中考题。（甲）京中有善口技者。会宾客大宴，于厅事之东北角，施八尺屏障，文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
42、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 Z
43、Q9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
44、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 Z
45、Q9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
46、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 Z
47、Q9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7
48、K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3口技人坐屏障中，一桌、一椅、一扇、一抚尺而已。众宾团坐。少顷，但闻屏障中抚尺一下，满坐寂然，无敢哗者。林嗣环口技（乙）明有奇巧人曰，王叔远，能以径寸之木，为宫室、器皿、人物，以至鸟兽、木石，罔不因势象形，各其情态，尝贻余核舟一，盖大苏泛赤壁云。魏学洢核舟记9填空。（4分）甲，乙两个文段都选自清代人_编选的笔记小说_。甲文段以“_”字为核心，突出了民间艺人口技表演的高超；乙文段围绕“_”一词，表现了王叔远微雕技艺的精湛。10解释下列句子中加点的词语。（2分）
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