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1、 Costume design in the emotional state Costume designer in his design for his emotions and his personality, see his personal life, so in the design works intuitively know his emotional personality, but felt personal pleasure, and design work as the designer s work, to meet the needs of others, at th
2、e same time in the material and spiritual also satisfied and happy, but isjoyful is described a kind of emotion. Because the designer design work as required for complement, it is the demand of thought and love by. So designers realized his true nature, this will make all the social members feel the
3、 designers work is free life, their works are likewise reflects real life aesthetic mirror. Work control and replication of some aspects of reality, neither by the perceptual effects, and not by reason, but by third the effects of cognitive ability, it is called emotion. costume design in the emotio
4、nal state of the positive and negativeFashion design creation, designers have done already contains the cognitive component also contains the affective component. We cannot escape from emotion, she was always there. More importantly, whether positive or negative emotional state can change our way of
5、 thinking.When you are in a positive emotional state, you rarely focus on something, to relax the muscles, brain concentrate on positive emotions are provided the opportunity to, easy to accept interference and to note any new ideas and events. Positive emotion arouse curiosity, creativity. With pos
6、itive emotions will be easier for you to see the forest rather than the trees, more loving attention to overall but not local.On the other hand, when you are in a negative affective state, feel anxious or dangerous, to focus on a subject without distraction, and gradually to the question carries on
7、the thorough exploration until the issue is resolved, but also focus on the details, feel negative emotion, you are more likely to see the trees is not a forest, are more likely to pay attention to local rather than global. In costume design, these emotional states can play what role? First of all,
8、in a pleasant mood relaxed and happy people more creativity, more tolerant and processing in the design of small problems - especially when doing more interesting, selection, must be and our emotions a chord. Because of liking it, so it can bring me the creative enthusiasm. The expression of emotion
9、, love, and passion, life and creativity, all of these on our creation is very important to them, as the background of the design of products always in daily life bring us to enjoy. Therefore, I claim that emotional input, from the heart to the thinking frame is a long process, besides the technolog
10、y and experience at the time of the accumulation, but also covers the creation of emotional and open thinking, the other is not so important. Disadvantages are ignored, because its so funny. Secondly, when people anxious, they will be more focus, therefore, in this situation may arise, the designer
11、should pay special attention to ensure the completion of this task requires the desired information is always at hand is easy to see that, in this process can clearly feel.In two the emotional state of the thinking process of differences, an interesting effect of their design process and its impact.
12、 Design, as well as related to the majority of problems solving need creative thinking, as well as a long period of time, devote oneself heart and soul to efforts. On the creative, designers in a cheerful mood is useful. Therefore, in the brainstorming in the initial stages, often by telling jokes o
13、r play games to warm up, is not allowed to give criticism, because criticism will improve participants anxiety level. Good mind storm results out of the ordinary, as well as the creative thinking by the positive emotional issue so relaxed state.New inspiration, also let their designs more convincing
14、. Design the work itself, there is no absolute good or bad, our intention is to pass different location, different directions subject thinking to affect the appreciation, because, for thinking wake up is our only purpose. Once completed the creation stage, conceived ideas must be transformed into pr
15、actical products. Then, the designer must take considerable attention to detail, focusing on here is necessary. One way to do this is to define a feeling, only abundant slightly shorter duration, which is the negative emotional attention focusing in time of need. It is also often giveHe imposed a de
16、adline, then put these terms to tell other people, in order to make these terms become true period, i.e. their anxiety to help them finish the work.So, who created earlier, we all dont give yourself to constraint, not what should and should not be. When the mind is fully open, show, in a critical ey
17、e mercilessly deleted some ideas. But it was deleted? Admittedly, in addition to its original, in their own design ideas and producing a few new thing, of course, for some of the ideas of the abandoned or not still depends on own ideology. In the clothing appreciation and fashion design creation, ae
18、sthetic subject emotion activity both in the content and form of expression, is very rich and complex, with different mental contents, characteristics and functions, but they are interrelated, interaction, thereby forming an integral whole. Designers should be on human emotions, on the emotion, soci
19、al emotion through the wealth of material expression. In this way, costume design the content of the work will be more abundant, can reflect more of its own value.Costume design in the emotional state of the materialization form - fabricCostume design is the soul of fabric, fabric composition determ
20、ines the design effect and comfort degree. Ancient people will be good emotion and desire byEmbroidery on clothing fabrics and set rolling a variety of birds and flowers of dragon and phoenix patterns to express, for example, the Tang Dynasty in Qing Dynasty era Zhuang, Eighteen roll set . The diffe
21、rent association, different fabric design, applied to different products, which is a series of creative response. From an irrelevant pictures into a pattern or design, the final formation of a different style of design, the use of three-dimensional printing, embroidery or printing and dyeing method,
22、 process can often feel to the external environment and objects to stimulate your mind associate impulse and the creation desire, not thinking of depletion.Everyone is eager to have such a state. Through different ways, methods and ways of thinking to break the boundaries of thinking, let yourself e
23、njoy a wide creative space. See every picture, intuitive first reaction is and what is not important, because through this moment to think a lot, I dont want to give him a specific definition to bind related associate. Thoughts and feelings of a certain type, we formed a habit of thinking, it is not
24、 possible in a short period of time to change, we do not need to consciously force myself to change.Knitted fabric in which yarns and creative fabric compared, only then does, knitting charm lies in its good scalability, conformal and aeration on the. Weaving pattern can be optionally changed color,
25、 using embroidery, painting, filling, spell, block and other means to achieve the purpose of decoration, can also use a different method to transform three-dimensional pattern, in favor of twisted flowers, empty flower, flower head, and other ways to highlight the stereoscopic decorative effect, tog
26、ether with creative yarn, thus finished knitted fabrics the effect is more there is nothing comparable to this. Based on the characteristics of creative material in clothing, make up a growing percentage of mens, womens, childrens, either. In this section, we use many ways to try to design. In order
27、 to make their open thinking, make you in a positive emotional state, relax muscles, brain concentrate on positive emotions are provided the opportunity to, more easily accepted interference and to note any new ideas and events, positive emotion arouse curiosity, creativity, can freely play, then al
28、low yourself to give up some constraints, try a variety of attempts, to lay the foundation for the design of. Japanese fashion designer fully flexible use of all available new materials, new technology means that the works have a strong sense of the times. They will be some natural disordered materi
29、als become able to convey human thoughts and emotions, with the vitality of art. Famous designers Issey Miyake nineteenth Century artist Angell masterpiece springs drawing with a fold of the polyester fiber, clever use of human body and human body goddess believers in two unrelated objects, express
30、to get rid of rational control and aesthetic moral prejudice of surrealist thought, is the classical and modern, technology and art. Watanabe s Chun inheritance REI style, try to explore the close relationship between human and material, is the clothing of people-oriented idea into full play.Costume
31、 design in the emotional state of the materialization form - brandClothing brand refers to the difference between apparel goods attribution, through industrial and commercial registration of commercial signs. It is a cognitive meaning and a nonphysical state product symbols. It is also due to the co
32、gnitive meaning of existence, caused consumer and brand ( designer ) cognitive process, which leads to consumer choice and purchase. This cognitive process must be in the mental and emotional aspects. The most successful clothing brand design, can give people with clear visual impact and psychologic
33、al orientation, the designers artistic expression is very distinctive, and with the type of clothing, color, adapt to the object, in environment and so on many factors together constitute a strongHis style of imagery and emotion. On the clothing brand one of the affective factors - the emotion, it i
34、s not only the brand personality marked the one and only, it also bring added value to the characterization of dominant effect is had in part, wherein the emotional design, consumer s personality and the products of the spirit meaning, is the clothing brand subject.Brand without emotional factors ac
35、cumulate as they have no emotion, between brand and consumer cognitive cannot build. Costume design master Chanel once said, everything will be over, but the emotion. The international well-known clothing brand, can be common people place praise highly, to lead the fashion trend, the fundamental rea
36、son is that they all have their own unique emotion, will brand perfect emotion design with profound cultural background cleverly integrated into clothing, establish their own clothing Kingdom, this is emotional factors nourish. Clothing brand and not widely spread?In every level, we have to win. Adi
37、das ( Adidas )50,70 time in Europe with an outstanding brand, experienced 80 time European markets fell, actively adjust the brand strategy planning, it later in 90 time the bath fire rebirth. All this thanks to Adidas breakthrough pattern practice. Each movement is to stimulate the sense as the cor
38、e - it is the thrill of victory, beyond the opponents excitement, team emotions, or successful physical challenges the thrill. Relative to the Nike is positive, is almost intense emotional association, Adidas is taken with positive emotions are connected by the way - it is to win a relationship with
39、, as it is a relationship with competition. For Adidas, challenge themselves highly stimulating, but the victory is only for outstanding performance are paid only, rather than a reason.The designer is the brand service, although you will create their own brand, make its own personality, but still wa
40、nt to be with the market preferences based on. Born in 1951May Lacroix is a contemporary fashion master, his design style in the nineteen eighties later magically spread all over the world. He likes to use warm atmosphere of his design philosophy, Spanish style dress is his love for the show enthusi
41、asm of one of the elements. His preference for expensive fabrics and luxury decoration, likeExquisite ruffles, bows, and lace ornaments. Lacroix design style, classical, gorgeous atmosphere, beautiful and luxurious, warm and sexy. In his clothing, lace, lace, beads, crystal, satin almost omnipresent
42、, Lacroix become the important means of expression. French critics referred to more than once: Lacroix clothing can let a woman as a heartbeat, it reflected the extremely feminine clothing.Emotional ( including mood ) is a judgment of good or bad, safe or dangerous system, it can judge the value, so
43、 that people can live better.We the people is ultimately how to enjoy a piece of apparel product design ( design and design target ) is divided into three levels, respectively: instinct, behavior, reflective layer layer. The so-called visceral, is concerned about the appearance, even if people can b
44、ring sensory stimulation of the live color sound sweet. For example, a Lacroix style fashion, beautiful and luxurious, warm and sexy, a glance will make people feel dazzling and colorful. This is the instinct hierarchy at work clothing. While the behavior, is concerned with the use and operation, is
45、 refers to the people according to the circumstances, such as weather, occasions, environmental factors such as wearing apparel, and from this dynamic process to obtain the sense of achievement and refreshing feeling.Another example, a famous actress of the dress to attend International Film Festiva
46、l Awards, if the dress is well designed, actress will in this dynamic process to obtain the sense of achievement. This is the clothing design behavior at work. While the highest levels, reflecting layer, is concerned with image and impression. This level is the fact that the first two layers of the
47、role, while in user heart has a more emotional depth, awareness, understanding, personal experience, cultural background and various interwoven with impact. This is be moved by what one sees.Premier Zhou Enlai wore a khaki fabric tunic, if only a visceral, khaki fabric tunic and not cause too much a
48、esthetic reaction, and the reflection layer, which makes people have strong emotions. 服装设计中的情感状态 服装设计者在他的设计中物化了他的情感和他的个性特点, 看到了他个人的生命表现, 从而在设计作品中直观地认识他的情感个性, 而感受到个人的乐趣, 而且设计作品作为设计者的劳动成果, 满足了别人的需要, 同时自己在物质和精神上也得到满足和愉悦, 而愉悦则被描述成一种情感。由于设计者的设计作品作为需者要求的补充, 故而被需求者的思想和爱所证实。于是设计者实现了他的真正本质, 这便会使全体社会成员共同感受到设计
49、者的劳动是自由的生命表现, 他们的作品同样是反映了现实生活中审美的一面镜子。作品所把握和复制的现实的某些方面, 既不受感知影响, 又不受理智影响, 而是受到第三种认知能力的影响, 它就叫做情感。一、服装设计中情感状态的正面与负面 服装设计创作活动中, 设计师所做的一切既包含认知成分又包含情感成分。我们不能逃离情感, 她总是在那里。更重要的是, 无论正面还是负面的情感状态都可以改变我们的思维方式。 当你处于正面情感状态时, 你这时很少聚焦于某事, 使肌肉放松, 脑专心于正面情感所提供的机会上, 容易接纳干扰而去注意任何新的思想和事件。正面情感唤起好奇心, 激发创造力。伴随正面情感你更易于看到森林而不是树木, 更喜欢注意整体而不是局部。 另一方面, 当你处于负面情感状态时, 会感到焦虑或危险, 把注意力集中在一个主题上而不分心, 并逐步对问题进行深入探索直至问题解决,同时还把注意力集中在问题的细节上