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1、2021GRE考试考前冲刺卷（7）本卷共分为2大题50小题，作答时间为180分钟，总分100分，60分及格。一、单项选择题（共25题，每题2分。每题的备选项中，只有一个最符合题意） 1.It can be inferred from the passage that in Woolfs lifetime, women writers avoided conflating faction and fiction because to do so(A) impinged on their writings vividness(B) contaminated their writings impar
2、tiality(C) undermined their writings narrative coherence(D) restricted their writing s resonance(E) limited their writings perceptiveness 2.It can be inferred from the passage that the author views the critical reception that Woolfs work has received as(A) largely irrelevant, in that it has paid too
3、 much attention to writers of female stereotypes instead of those who have challenged them(B) insufficiently praiseful, in that it fails to acknowledge the extent to which Woolf attacked the stereotypes of her time(C) balanced, in that both Woolfs contribution to the fight against feminist stereotyp
4、es and her technical limitations are usually acknowledged(D) often inappropriate, in that critics often mistake the personal references in her work as evidence of self-absorption, instead of a valid technique(E) mostly incisive, in that it points out the unfortunate egotistism of her writing which d
5、iminished its overall positive aspects 3.The passage supplies information to answer which of the following questions(A) Which species, human or dog, has greater numbers of the neurotransmitters that have been hypothetically linked to narcolepsy(B) At what age do human beings first experience the deg
6、enerative effects of narcolepsy(C) What role do human leukocyte antigens perform for the human immune system(D) Why did Honda initially suspect that HLAs played a role in narcolepsy(E) Which of the researchers named in the passage isolated narcolepsy as a distinct syndrome 4.Questions 31-36 Choose t
7、he correct letter, A, B or C.In the past men played football in winter just for _Areleasing energy.Benjoying climate.Ctraining team spirit. 5.Questions 31-36 Choose the correct letter, A, B or C.Football used to be regarded as a rough sport for aristocrat in _Athe Victorian era.Bthe Renaissance.Cthe
8、 Shakespeares tim 6.Questions 31-36 Choose the correct letter, A, B or C.The official football league of controlling violence is _Athe police office.Bthe Football Association.Cthe football union. 7.Questions 31-36 Choose the correct letter, A, B or C.Which of the following is related to the origin o
9、f tennisAcity hallBtheatreCchurch 8.Questions 31-36 Choose the correct letter, A, B or C.Cricket became a popular sport with upper classes in _Athe eighteenth century.Bthe nineteenth century.Cthe twentieth century. 9.Questions 31-36 Choose the correct letter, A, B or C.To play the game has the same
10、meaning with _Ato be fair.Bto be unfair.Cthats not cricket. 10.Air turbulence can substantially accelerate the appearance of large dropletstriggering rain by presenting a new mechanism, the sling effect, which increases collisions of droplets that have become detached from the airflow. First, vapor
11、condensation in cloud cores produces small droplets resembling one another in size, which then expand to raindrop size by coalescing under the effects of air turbulencea force thought to cause collisions of similar-sized droplets whose radii exceed a few micrometers. Then, turbulent vortices act as
12、small centrifuges that spin heavy droplets out, creating concentration heterogeneities and jets of droplets, both of which increase the mean collision rate, which in turn accelerates rain initiation.One can conclude that rain prediction requires a quantitative description of droplet collision in tur
13、bulence, a mechanism which helps meteorologists to forecast rainfall, but detailed understanding of the phenomenon entails consideration of such factors as warm and cold fronts stretching over hundreds of miles, individual clouds perhaps a mile or so across, and even, as the mechanism illustrates, t
14、iny eddies perhaps a few centimeters or so in size.The primary purpose of the passage is to_.Aexplain and resolve a controversy among meteorologistsBpresent and describe a recently discovered phenomenonCsuggest and prove a theory on the cause of a phenomenonDdescribe and confirm research findings un
15、der questionEdiscuss and evaluate the soundness of certain experimental observations 11.Since her own era, Christina Rossettis devout Christianity has often been seen as a characteristic setting her apart from the other avowedly non-Christian members of the Pre-Raphaelite circle. In designating thei
16、r movement a form ofaesthetic mysticism, one established critic, Alice Law described the place Pre-Raphaelitism holds in the development of Victorian artistic culture as a movement away from a predominantly religious and moralizing function toward a culture of aestheticismprecisely what Rossettis wo
17、rk has long been thought to reject. The Pre-Raphaelites attention to picturesque detail, the medievalist atmosphere and settings, the pervasive melancholy of their works, and their awareness of their arts primarily Christian literary and pictorial originsall these have been traditionally downplayed
18、in their similarity to the characteristics of Christina Rossettis poetry.This belief persists, despite the distinctly religious atmosphere of much of the work produced by both generations of Pre-Raphaelites: its employment of biblical images and typology; of religious figural language; and, more esp
19、ecially and pervasively, of medievalist backgrounds and settings that were seen by their early audiences to have clearly devotional, if not dangerously Romanist, associations. When discussing Pre-Raphaelitism as an historical movement, we must remember that the first brotherhood was inspired largely
20、 by a sacramental aesthetic that tended to alienate Victorian society, which generally abhorred the notion of sacrifice. It is true that Rossettis traditional solution to the Romantic and Victorian literary problem of alienation from nature and the more characteristically Victorian problem of despai
21、r at lifes meaninglessness, was fundamentally Christian. But with few exceptions, Rossetti relied on the colloquial and angst-ridden language of both generations of Pre-Raphaelites. Even Swinburne, the Pre-Raphaelite whose anti-orthodoxy and iconoclasm seem to conflict most profoundly with Rossettis
22、 values, enthusiastically hailed her. That most Victorians themselves perceived Christina Rossetti as unequivocally Pre-Raphaelite in her poetic affinities is clear, for throughout her poetry and much of her prose Christina Rossetti demonstrated true and deep affinities with Pre-Raphaelite aesthetic
23、 values, in both innovative and traditional ways. We must not forget her pictorial modes of representation, the medieval atmosphere and settings that appear repeatedly in her poems, her appreciation of the worlds physical beauty and its expression in lush images, the intensity of her poems, which se
24、ems inseparable from their sincerity, and not least her preoccupation with love. To a greater extent than figures more peripheral to the Pre-Raphaelite circle, Christina Rossetti produced works that appear to be dominated by the same aesthetic consciousness and literary values that make Pre-Raphaeli
25、tism the central movement which unintentionally spawned the aestheticism of the 1880s and 1890s. Pre-Raphaelitism, in fact, influenced aesthetic thought in a way that made the movement central to the transition from the sentimental moral idealism of the Victorian mainstream to the variously nihilist
26、ic, skeptical, and ironic value systems that dominate modern poetry.Which of the following might serve as the most appropriate title for the passageARosetti and the Pre-Raphaelites: A HagiographyBThe Pre-Raphaelites: Divergent Styles Within a MovementCRossetti and Her Influence: The Development of V
27、ictorian PoetryDThe Aesthetics of Religious Poetry: Rossettis ContributionERossettis Estrangement from the Pre-Raphealites: An Exaggerated Notion 12.Air turbulence can substantially accelerate the appearance of large dropletstriggering rain by presenting a new mechanism, the sling effect, which incr
28、eases collisions of droplets that have become detached from the airflow. First, vapor condensation in cloud cores produces small droplets resembling one another in size, which then expand to raindrop size by coalescing under the effects of air turbulencea force thought to cause collisions of similar
29、-sized droplets whose radii exceed a few micrometers. Then, turbulent vortices act as small centrifuges that spin heavy droplets out, creating concentration heterogeneities and jets of droplets, both of which increase the mean collision rate, which in turn accelerates rain initiation.One can conclud
30、e that rain prediction requires a quantitative description of droplet collision in turbulence, a mechanism which helps meteorologists to forecast rainfall, but detailed understanding of the phenomenon entails consideration of such factors as warm and cold fronts stretching over hundreds of miles, in
31、dividual clouds perhaps a mile or so across, and even, as the mechanism illustrates, tiny eddies perhaps a few centimeters or so in size.According to the passage, air turbulence generally does which of the following . Creates small droplets of equal size to form in cloud cores. Causes different conc
32、entrations of rain droplets to form in different places. Speeds up the rate by which large droplets appear.A onlyB onlyC and onlyD and onlyE, , and 13.Air turbulence can substantially accelerate the appearance of large dropletstriggering rain by presenting a new mechanism, the sling effect, which in
33、creases collisions of droplets that have become detached from the airflow. First, vapor condensation in cloud cores produces small droplets resembling one another in size, which then expand to raindrop size by coalescing under the effects of air turbulencea force thought to cause collisions of simil
34、ar-sized droplets whose radii exceed a few micrometers. Then, turbulent vortices act as small centrifuges that spin heavy droplets out, creating concentration heterogeneities and jets of droplets, both of which increase the mean collision rate, which in turn accelerates rain initiation.One can concl
35、ude that rain prediction requires a quantitative description of droplet collision in turbulence, a mechanism which helps meteorologists to forecast rainfall, but detailed understanding of the phenomenon entails consideration of such factors as warm and cold fronts stretching over hundreds of miles,
36、individual clouds perhaps a mile or so across, and even, as the mechanism illustrates, tiny eddies perhaps a few centimeters or so in size.According to the passage, rain prediction requires a quantitative description of droplet collision in turbulence for which of the following reasonsAThe sling eff
37、ect remains unproven and requires experimental corroboration.BThe degree to which droplets collide is the only reliable method of assessing air flow.CThe degree of turbulence may help forecast the formation of large-size droplets that precipitate rain.DSuch factors as warm and cold fronts and indivi
38、dual cloud formations could not be performed otherwise.EThe laws which govern the formation of concentration heterogeneities still need to be discerned. 14.Since her own era, Christina Rossettis devout Christianity has often been seen as a characteristic setting her apart from the other avowedly non
39、-Christian members of the Pre-Raphaelite circle. In designating their movement a form ofaesthetic mysticism, one established critic, Alice Law described the place Pre-Raphaelitism holds in the development of Victorian artistic culture as a movement away from a predominantly religious and moralizing
40、function toward a culture of aestheticismprecisely what Rossettis work has long been thought to reject. The Pre-Raphaelites attention to picturesque detail, the medievalist atmosphere and settings, the pervasive melancholy of their works, and their awareness of their arts primarily Christian literar
41、y and pictorial originsall these have been traditionally downplayed in their similarity to the characteristics of Christina Rossettis poetry.This belief persists, despite the distinctly religious atmosphere of much of the work produced by both generations of Pre-Raphaelites: its employment of biblic
42、al images and typology; of religious figural language; and, more especially and pervasively, of medievalist backgrounds and settings that were seen by their early audiences to have clearly devotional, if not dangerously Romanist, associations. When discussing Pre-Raphaelitism as an historical moveme
43、nt, we must remember that the first brotherhood was inspired largely by a sacramental aesthetic that tended to alienate Victorian society, which generally abhorred the notion of sacrifice. It is true that Rossettis traditional solution to the Romantic and Victorian literary problem of alienation fro
44、m nature and the more characteristically Victorian problem of despair at lifes meaninglessness, was fundamentally Christian. But with few exceptions, Rossetti relied on the colloquial and angst-ridden language of both generations of Pre-Raphaelites. Even Swinburne, the Pre-Raphaelite whose anti-orth
45、odoxy and iconoclasm seem to conflict most profoundly with Rossettis values, enthusiastically hailed her. That most Victorians themselves perceived Christina Rossetti as unequivocally Pre-Raphaelite in her poetic affinities is clear, for throughout her poetry and much of her prose Christina Rossetti
46、 demonstrated true and deep affinities with Pre-Raphaelite aesthetic values, in both innovative and traditional ways. We must not forget her pictorial modes of representation, the medieval atmosphere and settings that appear repeatedly in her poems, her appreciation of the worlds physical beauty and
47、 its expression in lush images, the intensity of her poems, which seems inseparable from their sincerity, and not least her preoccupation with love. To a greater extent than figures more peripheral to the Pre-Raphaelite circle, Christina Rossetti produced works that appear to be dominated by the sam
48、e aesthetic consciousness and literary values that make Pre-Raphaelitism the central movement which unintentionally spawned the aestheticism of the 1880s and 1890s. Pre-Raphaelitism, in fact, influenced aesthetic thought in a way that made the movement central to the transition from the sentimental moral idealism of the Victorian main