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1、Ansel Adams安塞尔 亚当斯世 界 著 名 摄 影 大 师Contents1 1Background InformationWord and ExpressionRead the TextSome Exercises目录2 23 34 41 1Background Information安塞尔亚当斯（1902年2月20日-1984年4月22日）是美国摄影师和环境保护者。亚当斯制定了区域系统，以此来确定正确的曝光，并调整最终打印的对比度。由此产生的清晰和深入的效果成为他照片的特点。亚当斯主要用于大幅面相机，因为其高的分辨率有助于确保在他的图像清晰度。亚当斯与同伴威拉德范Dyke和爱德华韦
2、斯顿一起创办了著名的F/64摄影组。Ansel Adams(February 20,1902 April 22,1984)was an American photographer andenvironmentalist.Adams developed theZone Systemas a way to determine proper exposure and adjust the contrast of the final print.The resulting clarity and depth characterized his photographs.Adams primarily u
3、sedlarge-formatcameras because their highresolutionhelped ensure sharpness in his images.Adams founded the photography group known asGroup f/64along with fellow photographersWillard Van DykeandEdward Weston.Photography works摄影作品目Word and Expression2 2invest in v.投资于；买进；寄希望于mining n.矿业；采矿ventures n.合
4、资企业（venture的复数）；投机者；商业冒险v.敢尝试，冒险一试（venture的第三人称单数）migrate from 移居，(动物，尤指鸟类)定期迁徙，从定期移栖：paternal adj.父亲的；得自父亲的；父亲般的prosperousadj.繁荣的；兴旺的prosperouslyadv.繁荣地；幸运地prosperous leaves 茂盛的树叶lumbervi.伐木；喧闹地向前走；笨重地行动，缓慢地移动vt.砍伐木材；乱堆lumberjack n.伐木工人；木材商的佣工；短茄克衫condemnvt.谴责；判刑，定罪；声讨condemningn.谴责；处刑v.谴责（condemn的
5、现在分词）perfectionismn.至善论；十全十美主义accuracy n.数 精确度，准确性treasurern.会计；司库；财务主管；出纳员strewn v.撒；散播（strew的过去分词）adj.撒满的；散播的shipwrecksn.海难；遇难船vt.使失事；使毁灭；使失败courtingv.讨好，向献殷勤（court的ing形式）；求偶provevt.证明；检验；显示vi.证明是supplementvt.增补，补充n.增补，补充；补充物；增刊，副刊supplementedv.增补，补充（supplement的过去分词）supplementaryadj.补充的；追加的n.补充者；增
6、补物录Read the Text3 3Adams was born in theWestern Addition of San Francisco,California,to Charles Hitchcock Adams and Olive Bray Adams.An only child,he was named after his uncle Ansel Easton.His mothers family came from Baltimore,(where his maternal grandfather had a successful freight-hauling busines
7、s but lost his wealth investing in failed mining and real estate ventures in Nevada).The Adams family came from New England,having migrated from the north of Ireland in the early 18th century.His paternal grandfather founded and built a prosperous lumber business,which his father later ran,though hi
8、s fathers natural talents lay more with sciences than with business.Later in life,Adams would condemn that very same industry for cutting down many of the great redwood forests.亚当斯出生在旧金山，加利福尼亚西方之外，查尔斯希区柯克亚当斯和橄榄布雷亚当斯。只有一个孩子，他叫他叔叔安塞尔伊斯顿后。他母亲的家族来自巴尔的摩，（在那里他的外祖父有一个成功的货运业务也失去了他的财富投资失败的矿业和房地产企业在内华达州）。亚当斯家
9、族来自新英格兰，迁移从北爱尔兰早在第十八世纪。他的祖父创办并建造了一个繁荣的木材生意，他的父亲后来跑了，虽然他父亲的自然天赋比商业更具有科学性。在后来的生活中，亚当斯会谴责，同样的行业减少许多伟大的红木森林。Adams became interested in piano at age 12.Music became the main focus of his later youth.His father sent him to piano teacher Marie Butler,who focused on perfectionism and accuracy.After four yea
10、rs of studying under her guidance,Adams moved on to other teachers,one being composer Henry Cowell.For the next twelve years,the piano was Adams primary occupation and,by 1920,his intended profession.Although he ultimately gave up music for photography,the piano brought substance,discipline and stru
11、cture to his frustrating and erratic youth.Moreover,the careful training and exacting craft required of a musician profoundly informed his visual artistry,as well as his influential writings and teachings on photography.1902年2月，亚当斯在父母的床上降生，虽然非常活跃，但却体弱多病。1906年的旧金山大地震中，亚当斯的鼻子被打破，此后他也再未做过矫正手术，人们能明显发现他鼻
12、梁上的断裂痕迹。这次地震也给童年的亚当斯带来巨大震撼，在他早期的记忆中，充斥着连篇毁坏的城市以及地震后的火灾场景。Adams was a hyperactive child and prone to frequent sickness and hypochondria.He had few friends,but his family home and surroundings on the heights facing the Golden Gate provided ample childhood activities.Although he had no patience for gam
13、es or sports,the curious child took to the beauty of nature at an early age,collecting bugs and exploring Lobos Creek all the way to Baker Beach and the sea cliffs leading to Lands End,San Franciscos wildest and rockiest coast,a place strewn with shipwrecks and rife with landslides.“His father bough
14、t a three-inch telescope and they enthusiastically shared the hobby of amateur astronomy,visiting the Lick Observatory on Mount Hamilton together.His father went on to serve as the paid secretary-treasurer of the Astronomical Society of the Pacific from 1925 to 1950.亚当斯对事事要求划一的教育体制相当反感，13岁即离校自学，梦想成为
15、钢琴家。14岁那年，他到约塞米蒂国家公园游玩，获赠一台照相机。在那儿，他也与维吉尼亚贝斯特邂逅，她后来成了他的太太。那几年间，亚当斯在钢琴家或摄影师的职业选择间游移不定。从1929年至1942年，亚当斯的作品成熟，他变得更加确立。在他60年的职业生涯中，20世纪30年代是一个特别的生产和实验的时间。亚当斯扩大了他的作品，注重细节的特写，以及从山区到大工厂的形式。亚当斯的健谈，意气风发的性质与他出色的钢琴演奏，使他自己的画家朋友圈中的命中相结合。Between 1929 and 1942,Adamss work matured and he became more established.In
16、the course of his 60-year career,the 1930s were a particularly productive and experimental time.Adams expanded his works,focusing on detailed close-ups as well as large forms from mountains to factories.Adamss talkative,high-spirited nature combined with his excellent piano playing made him a hit wi
17、thin his circle of artist friends.求爱施蒂格利茨三年后，亚当斯收集了他最近的工作，不得不在施蒂格利茨画廊在纽约“美国的地方”个展在1936年该展会被证明是成功的评论家和购买的公众都，并赢得了亚当斯大力称赞从崇敬施蒂格利茨。20世纪30年代的平衡，亚当斯在许多商业任务，以补充从陷入困境的最佳工作室收入。他于1939年拍摄蒂莫西L.flueger 的新漆皮酒吧街的弗朗西斯酒店。同年，他被任命为当时最流行的摄影杂志美国相机及旅游的编辑。After courting Stieglitz for three years,Adams gathered his recent
18、 work and had a solo show at the Stieglitz gallery An American Place in New York in 1936.The exhibition proved successful with both the critics and the buying public,and earned Adams strong praise from the revered Stieglitz.During the balance of the 1930s,Adams took on many commercial assignments to
19、 supplement the income from the struggling Bests Studio.He photographed Timothy L.Pfluegers new Patent Leather Bar for the St.Francis hotel in 1939.The same year,he was named an editor of U.S.Camera&Travel,the most popular photography magazine at that time.目Some Exercises4 4Translate the Sentences翻译
20、句子Between 1929 and 1942,Adamss work matured and he became more established.In the course of his 60-year career,the 1930s were a particularly productive and experimental time.Adams expanded his works,focusing on detailed close-ups as well as large forms from mountains to factories.Adamss talkative,high-spirited nature combined with his excellent piano playing made him a hit within his circle of artist friends.从1929年至1942年，亚当斯的作品成熟，他变得更加确立。在他60年的职业生涯中，20世纪30年代是一个特别的生产和实验的时间。亚当斯扩大了他的作品，注重细节的特写，以及从山区到大工厂的形式。亚当斯的健谈，意气风发的性质与他出色的钢琴演奏，使他与搞不同艺术的朋友玩的融洽。Thank you