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1、2023年titanic怎么读_TITANIC(泰坦尼克号)(JamesCa titanic a screenplay by james cameroncast: kate winslet. rose dewitt bukater leonardo dicaprio. jack dawson kathy bates. the unsinkable molly brown billy zane. caledon hockley bill paxton. brock lovett written and directed by: james cameron 1 blackness then two
2、 faint lights appear, close together. growing brighter. they resolve into two deep submersibles, free-falling toward us like express elevators. one is ahead of the other, and passes close enough to fill frame, looking like a spacecraft blazing with lights, bristling with insectile manipulators. tilt
3、ing down to follow it as it descends away into the limitless blackness below. soon they are fireflies, then stars. then gone. cut to: 2 ext./ int. mir one / north atlantic deep pushing in on one of the falling submersibles, called mir one, right up to its circular viewport to see the occupants. insi
4、de, it is a cramped seven foot sphere, crammed with equipment. anatoly mikailavich, the subs pilot, sits hunched over his controls. singing softly in russian. next to him on one side is brock lovett. hes in his late forties, deeply tanned, and likes to wear his nomex suit unzipped to show the gold f
5、rom famous shipwrecks covering his gray chest hair. he is a wiley, fast-talking treasure hunter, a salvage superstar who is part historian, part adventurer and part vacuum cleaner salesman. right now, he is propped against the co2 scrubber, fast asleep and snoring. on the other side, crammed into th
6、e remaining space is a bearded wide-body named lewis bodine, who is also asleep. lewis is an r.o.v. (remotely operated vehicle) pilot and is the resident titanic expert. anatoly glances at the bottom sonar and makes a ballast adjustment. cut to: 3 ext. the bottom of the sea a pale, dead-flat lunar l
7、andscape. it gets brighter, lit from above, as mir one enters frame and drops to the seafloor in a downblast from its thrusters. it hits bottom after its two hour free-fall with a loud bonk. cut to: 4 int. mir one lovett and bodine jerk awake at the landing. anatoly (heavy russian accent) we are her
8、e. ext. / int. mir one and two 5 minutes later: the two subs skim over the seafloor to the sound of sidescan sonar and the thrum of big thrusters. 6 the featureless gray clay of the bottom unrolls in the lights of the subs. bodine is watching the sidescan sonar display, where the outline of a huge p
9、ointed object is visible. anatoly lies prone, driving the sub, his face pressed to the center port. bodine come left a little. shes right in front of us, eighteen meters. fifteen. thirteen. you should see it. anatoly do you see it? i dont see it. there! out of the darkness, like a ghostly apparition
10、, the bow of the ship appears. its knife-edge prow is coming straight at us, seeming to plow the bottom sediment like ocean waves. it towers above the seafloor, standing just as it landed 84 years ago. the titanic. or what is left of her. mir one goes up and over the bow railing, intact except for a
11、n overgrowth of rusticles draping it like mutated spanish moss. tight on the eyepiece monitor of a video camcorder. brock lovetts face fills the black and white frame. lovett it still gets me every time. the image pans to the front viewport, looking over anatolys shoulder, to the bow railing visible
12、 in the lights beyond. anatoly turns. anatoly is just your guilt because of stealing from the dead. cut wider, to show that brock is operating the camera himself, turning it in his hand so it points at his own face. lovett thanks, tolya. work with me, here. brock resumes his serious, pensive gaze ou
13、t the front port, with the camera aimed at himself at arms length. lovett it still gets me every time. to see the sad ruin of the great ship sitting long fall from the world above. anatoly rolls his eyes and mutters in russian. bodine chuckles and watches the sonar. bodine you are so full of shit, b
14、oss. 7 mir two drives aft down the starboard side, past the huge anchor while mir one passes over the seemingly endless forecastle deck, with its massive anchor chains still laid out in two neat rows, its bronze windlass caps gleaming. the 22 foot long subs are like white bugs next to the enormous w
15、reck. lovett (v.o.) dive nine. here we are again on the deck of titanic. two and a half miles down. the pressure is three tons per square inch, enough to crush us like a freight train going over an ant if our hull fails. these windows are nine inches thick and if they go, its sayonara in two microse
16、conds. 8 mir two lands on the boat deck, next to the ruins of the officers quarters. mir one lands on the roof of the deck house nearby. lovett right. lets go to work. bodine slips on a pair of 3-d electronic goggles, and grabs the joystick controls of the rov. 9 outside the sub, the rov, a small or
17、ange and black robot called snoop dog, lifts from its cradle and flies forward. bodine (v.o.) walkin the dog. snoop dog drives itself away from the sub, paying out its umbilical behind it like a robot yo-yo. its twin stereo-video cameras swivel like insect eyes. the rov descends through an open shaf
18、t that once was the beautiful first class grand staircase. snoop dog goes down several decks, then moves laterally into the first class reception room. snoops video pov, moving through the cavernous interior. the remains of the ornate handcarved woodwork which gave the ship its elegance move through
19、 the floodlights, the lines blurred by slow dissolution and descending rusticle formations. stalactites of rust hang down so that at times it looks like a natural grotto, then the scene shifts and the lines of a ghostly undersea mansion can be seen again. montage style, as snoop passes the ghostly i
20、mages of titanics opulence: 10 a grand piano in amazingly good shape, crashed on its side against a wall. the keys gleam black and white in the lights. 11 a chandelier, still hanging from the ceiling by its wire. glinting as snoop moves around it. 12 its lights play across the floor, revealing a cha
21、mpagne bottle, then some white star line china. a womans high-top granny shoe. then something eerie: what looks like a childs skull resolves into the porcelain head of a doll. snoop enters a corridor which is much better preserved. here and there a door still hangs on its rusted hinges. an ornate pi
22、ece of moulding, a wall sconce. hint at the grandeur of the past. 13 the rov turns and goes through a black doorway, entering room b-52, the sitting room of a promenade suite, one of the most luxurious staterooms on titanic. bodine im in the sitting room. heading for bedroom b-54. lovett stay off th
23、e floor. dont stir it up like you did yesterday. bodine im tryin boss. glinting in the lights are the brass fixtures of the near-perfectly preserved fireplace. an albino galathea crab crawls over it. nearby are the remains of a divan and a writing desk. the dog crosses the ruins of the once elegant
24、room toward another door. it squeezes through the doorframe, scraping rust and wood chunks loose on both sides. it moves out of a cloud of rust and keeps on going. bodine im crossing the bedroom. the remains of a pillared canopy bed. broken chairs, a dresser. through the collapsed wall of the bathro
25、om, the porcelain commode and bathtub took almost new, gleaming in the dark. lovett okay, i want to see whats under that wardrobe door. several angles as the rov deploys its manipulator arms and starts moving debris aside. a lamp is lifted, its ceramic colors as bright as they were in 1912. lovett e
26、asy, lewis. take it slow. lewis grips a wardrobe door, lying at an angle in a corner, and pulls it with snoops gripper. it moves reluctantly in a cloud of silt. under it is a dark object. the silt clears and snoops cameras show them what was under the door. bodine ooohh daddy-oh, are you seein what
27、im seein? close on lovett, watching his monitors. by his expression it is like he is seeing the holy grail. lovett oh baby baby baby. (grabs the mike) its payday, boys. on the screen, in the glare of the lights, is the object of their quest: a small steel combination safe. cut to: 14 ext. stern of d
28、eck of kedysh - day the safe, dripping wet in the afternoon sun, is lowered onto the deck of a ship by a winch cable. we are on the russian research vessel akademik mistislav keldysh. a crowd has gathered, including most of the crew of keldysh, the sub crews, and a hand-wringing money guy named bobb
29、y buell who represents the limited partners. there is also a documentary video crew, hired by lovett to cover his moment of glory. everyone crowds around the safe. in the background mir two is being lowered into its cradle on deck by a massive hydraulic arm. mir one is already recovered with lewis b
30、odine following brock lovett as he bounds over to the safe like a kid on christmas morning. bodine whos the best? say it. lovett you are, lewis. (to the video crew) you rolling? cameraman rolling. brock nods to his technicians, and they set about drilling the safes hinges. during this operation, bro
31、ck amps the suspense, working the lens to fill the time. lovett well, here it is, the moment of truth. heres where we find out if the time, the sweat, the money spent to charter this ship and these subs, to come out here to the middle of the north atlantic. were worth it. if what we think is in that
32、 same. is in that safe. it will be. lovett grins wolfishly in anticipation of his greatest find yet. the door is pried loose. it clangs onto the deck. lovett moves closer, peering into the safes wet interior. a long moment then. his face says it all. lovett shit. bodine you know, boss, this happened
33、 to geraldo and his career never recovered. lovett (to the video cameraman) get that outta my face. cut to: 15 int. lab deck, preservation room - day technicians are carefully removing some papers from the safe and placing them in a tray of water to separate them safely. nearby, other artifacts from
34、 the stateroom are being washed and preserved. buell is on the satellite phone with the investors. lovett is yelling at the video crew. lovett you send out what i tell you when i tell you. im signing your paychecks, not 60 minutes. now get set up for the uplink. buell covers the phone and turns to lovett. buell the partners want to know how its going? lovett how its going? its going like a first date in prison, whattaya think?! lovett grabs the phone from buell and goes instantly smooth. lovett hi, dave? barry? look, it wasnt in the safe. no, look, dont worry about