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1、此资料由网络收集而来，如有侵权请告知上传者立即删除。资料共分享，我们负责传递知识。英语毕业论文的提纲范文论文提纲最起码要能清楚的显示您论文的研究内容以及研究思路。下面内容由小编为大家分享英语毕业论文的提纲范文，一起来看看吧！Introduction0.1 Salman Rushdie and Midnights Children0.2 Literature Review0.3 Significance of the ThesisChapter One The Carnival Rhetoric in Midnights Children1.1 Carnival Language1.1.1 La
2、nguage of Heteroglossia1.1.2 Linguistic Deviation1.2 Carnival Rhetorical Devices1.2.1 The Use of Metaphor1.2.2 The Use of Satire1.2.3 The Use of Pun1.3 Sum-upChapter Two The Carnival Characters in Midnights Children2.1 Womens Carnivalesque Acts2.1.1 Widow2.1.2 Witch2.1.3 Unfaithful Wives2.2 Saleems
3、Carnivalesque Acts2.2.1 Grotesque Appearance and Eccentric Behavior2.2.2 Turning into Clown2.2.3 Crowning and Uncrowning2.3 Sum-upChapter Three Intertextual Dialogue in Midnights Children3.1 Intertextual Dialogue between History and the Text3.1.1 National Allegory3.1.2 Fictionalization of National H
4、istory3.2 Intertextual Dialogue between Pretexts and the Text3.2.1 Borrowings from Western Culture3.2.2 Borrowings from Indian Culture3.3 Intertextual Dialogue within the Text3.3.1 Palimpsest3.3.2 Polyphony3.4 Sum-upConclusionThis conclusionFocusing on contemporary forms of narrative, Hutcheon argue
5、s that postmodernistfiction embodies several carnivalesque structures. Firstly, in its metafictional preoccupationsand its tendency to foreground the artifice of literary construction, contemporary narrativeenacts a carnivalesque rebellion against the official ideology of realism （Hutcheon, 1988:83-
6、4）。 Secondly, contemporary fiction has succeeded in blurring the distinction between highand popular culture, incorporating “comic books, Hollywood movies, popular songs, andpornography” （Hutcheon, 1988: 87）。 Thirdly, there is a tendency for contemporary fiction todraw on sexual and erotic imagery,
7、and thus to appeal to the material bodily principle of thecarnivalesque. For Hutcheon, Bakhtins notion of the carnivalesque provides a potent meansof characterizing postmodern literary techniques. Bakhtins carnival theory thus facilitates anappropriate lens through which readers can explore the poli
8、tical potential of postmodernist artin that the playfulness and conviviality inherent in carnival theory seems to miniature thepostmodern condition.Carnival is manifested in a variety of ways, either in the grotesque and dualism oflanguage and character, or the dialogue and polyphony of textual stru
9、cture. Nevertheless,taken as a whole, Bakhtins carnival theory is based on the fact that on the one hand, he takesfolk culture as a corporeal drama in which birth, growing, eating, drinking, evacuation,excretion and death are on show successively and on the other hand, he formulates a myth ofambival
10、ence that denies the end by sublimating death through laughter. Materialism andambivalence thus can be taken as two starting point of Bakhtins carnival theory. By ridiculingspiritualism, death, definiteness and finiteness, folk culture seeks to suspend the dualism ofmind and matter, extend the hegem
11、ony of authoritarian institutions and materialize hisUtopian dream. In the Utopian world, the boundary of hierarchy is transgressed and people ofdifferent social status are allowed to make a dialogue. Bakhtins carnival theory, in thatconcern, gives a full play to the spirit of subversion, dialogue,
12、transgression and changes andrenewal.With reference to Bakhtins carnival theory, an attentative examination of MidnightsChildren exhibits that the novel abounds with carnivalesque elements, like carnival language,material body principle, laugher, parody, grotesque imagery and heteroglossia, etc. Bak
13、htinscarnival theory is both a type of cultural poetics and a type of stylistic poetics. As a type ofcultural poetics, carnival theory not only reveals the influence of folk culture on the languageand characterization of literary creation, but also helps to unearth the literary value ofgrotesque and
14、 vulgarity which were marginalized by classic aesthetics in the literary history.As a type of stylistics, carnival theory contributes to the interpretation of literary works a newperspective and methodology dialogue. Rushdies linguistic practice proves to be aquintessence of an avant garde literary
15、attempt. This concept of carnival speech as a languagefree from official norms and used deliberately to subvert official linguistic standards, acquiresa particular significance for the postcolonial writer. Rushdies another artistic attainments areembodied in his ingenious characterization. Referring
16、 to carnival theory, carnival charactersare generally characterized by grotesque appearance, rebellious act, hallucinations andinsanity. Another artistic feature that serves to carnivalize the novel is the intertextualdialogue. The novel, a fertile site for the staging of the carnivalesque as a centrifugal force,provides a vantage point by which a dialogue between a plurality of ideas, ideologies andindividuals may be represented especially in an atmosphere of weakening central control.4