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1、The Beauty of Art:Scenery in Mind(second part)Contents12Artistic Conception and Chinese Landscape PaintingThe Difference and FusionSection OneArtistic Conception and Chinese Landscape PaintingArtistic ConceptionArtistic conception is created by artists subjective affection for and thoughts of object
2、ive scenery.ImplicationManifestationThe beauty of artistic conception lies in the fusion of Tao and Li,and the unity of mood and scene.The beauty of artistic conception lies in tranquility and nature without a sign to trace.The beauty of artistic conception lies in the integration of nihility and re
3、ality with enormous vitality.Ma Yuan,Singing Farmers in the LaneTao means the beauty of the heaven and earth need no praise advocated by Lao Zi and Zhuang Zi.Exploring Tao with the purest mind emphasizes that self-cultivation and staying away from secularity are the premises of achieving essence of
4、Tao.“Being accompanied only by heaven and earth”,ones life spirit and ideals become the mountains and rivers,and the nature endowed with ideals and spirit becomes the nature with Tao.Li has originated from the rationalism of Confucianism,which integrates individual thoughts and emotion with social e
5、thics and moral system.The sociality of Li and the freedom of Tao complement each other simultaneously,and the description of natural scenery conveys a wide and open life ideal and expresses grand cosmic view and life sentiment.Implication and ManifestationGuan Tong in the age of Five Dynasties,Trav
6、elling in Guanshan MountainThe fusion of Tao and Li,and the unity of mood and scene.Artistic ConceptionImplication and ManifestationTranquility and nature without a sign to trace.The artistic taste of tranquility and nature originated from aesthetics of the Six Dynasties.The tranquility and nature o
7、f fledgling lotus were pursued by people instead of artificial embellishment with colors and gold,and the charm of spiritual likeness was advocated instead of resemblance in appearance.Out of clear water comes a lotus,natural without any decoration.Without a slight of rhetoric,not even a trace,the e
8、ssence of the beauty comes from its simplicity and nature without deliberation,and that reflects the understanding of the world and the life of Chinese literati.The aesthetic taste of tranquility and nature is precisely manifested by the quiet nature in the landscape paintings in Song and Yuan Dynas
9、ties.Dong Yuan in Five Dynasties,Landscape of XiaoxiangArtistic ConceptionImplication and ManifestationThe integration of nihility and reality with enormous vitalityChinese traditional art has always paid great attention to the expressive techniques with integration of nihility and reality.Integrati
10、on of nihility and reality means transforming a real scenery into nihility,and nihility creates the beauty of reality with enormous vitality.Embodying vitality everywhere in Chinese paintings,everything in a landscape under brush,a tree,a rock,mountains or waters,fuses with blank left on the paper a
11、nd creates a ethereal artistic conception,which is correspond with the concept of vacancy of Zen thought,and that is creating life from vacancy beyond substance in a circle.All things of nature,life and even the world of Chinese people were created from nihility.Qi Baishi in modern era,ShrimpArtisti
12、c ConceptionSection TwoThe Difference and FusionDifferenceWestern paintings pay more attention to reappearance,while Chinese landscape paintings value expression.AttitudePerspectiveWestern paintings composed with emphasis on focus,while Chinese landscape paintings have a perspective with scatter poi
13、nts with free and changeable angles of view.Liu Songnian,The Spring of Landscapes of Four SeasonsViewpoint on human and natureIn Western paintings human and nature stand on opposite positions,while Chinese paintings pursue the unity of human and nature.ManifestationThe differences are manifested in
14、classical art of the orient and the West.Miller,springFusionDadaism:Duchamps Bicycle Wheel and Ai Weiweis series of Forever BicyclesPop art:Andy Warhols art of“replica”and Wang Guangyis Great Criticism SeriesReflection on collision between Chinese and western cultures:Xu Bings CulturlAnimaland Gu We
15、ndasForest of Stone StelesChinese modern art learned and imitated western modern art.Duchamp,Bicycle WheelManifestationThe fusion is manifested in in classical art of the Orient and the West.Ai Weiwei,the series of Forever Bicycles FusionExperimental and occasional:Pollocks Drip-paintingAbstractioni
16、sm:Mondrians abstractionismChinese Zen thought and blank in painting:Kleins VideReflection on the view about human and object:Beuys How to Explain the Pictures to the Dead RabbitThe absorption and reference of western culture to oriental cultureMondrians Seawall and SeaHuai Sus AutobiographyThanks for watching!