弗兰肯斯坦》之人性分析.doc

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1、大学本科毕业论文本科毕业论文题目:弗兰肯斯坦之人性分析 15摘 要英国著名浪漫主义作家玛丽雪莱(1797-1851)是英国著名思想家、社会活动家葛德文和著名女性主义运动先驱沃斯通克拉夫特的独生女,同时还是十九世纪英国著名诗人珀斯雪莱的第二位妻子。弗兰肯斯坦是玛丽雪莱在1818年创作的小说,被认为是世界上第一部真正意义上的科幻小说。对弗兰肯斯坦的解读有很多,从早期传记研究,女权主义分析,到马克思主义分析和弗洛伊德的精神分析解读等等,不一而足。而本文将分析其复杂的人性描写来进一步了解及欣赏其深刻的主题人不能违背自然,充当造物主的角色,科学应当为人类带来福音而非灾难。本文首先从作者的生活经历,浪漫主

2、义思想及歌特小说对她的影响来探讨玛丽雪莱人性观的根源,更将结合弗兰肯斯坦中的人性描写来分析人类的造物主情结,俄狄浦斯情结及人的社会性。论文最后认为弗兰肯斯坦的悲剧和不幸不仅是寓言式的,而且是预言式的。本论文分析的现实意义在于在人类已掌握克隆技术的今天,不能盲目的追求科学,而需在人文精神指导下,合理的应用科学,使人性发展得到更大空间,使人与自然更加亲近和谐。关键词:玛丽雪莱;弗兰肯斯坦;人性; Abstract Mary Wollstonecraft Godwin Shelley was an important writer during the age of Romanticism in E

3、nglish literature. She was the only daughter of two literary celebrities. Her father William Godwin was a revolutionary philosopher and novelist. Her mother Mary Wellstone Craft was in the vanguard of feminism. At the age of sixteen, she met the famous British poet, Percy Bysshe Shelley, whom she la

4、ter married. By the time she was nineteen, Mary Shelley had written one of the most famous novels published in 1818 Frankenstein, which was known as the first science fiction in the world. Mary Shelleys Frankenstein has attracted a wide variety of interpretations, ranging from earlier biographical s

5、tudy, the feminist, to the Marxist, the psychoanalytic and Freudian reading. This thesis will focus on the analysis of the complicated description of human nature in the novel to further understand the profound themehuman beings should not rebel against nature and science should promote the well-bei

6、ng of mankind but not bring people disasters.The thesis will firstly expound on the origin of Mary Shelleys views on human nature according to the influences from Gothic novels, Romanticism and her life experience. Then the analysis will focus on humans God Complex, Oedipus Complex and humans social

7、ity embodied in the complicated description in Frankenstein.The last part of the thesis advocates that the tragedy in Frankenstein is not a fable but a prediction. With the cloning of life forms and genetic engineering now common place, human beings should make rational use of the science technology

8、 and live in harmony with nature.Key words: Mary Shelley; Frankenstein;human nature;Contents1 Introduction12 Origin of Mary Shelleys Views on Human Nature22.1 Influence from Gothic Novels22.2 Influence from Romanticism32.3 Influence from Life Experiences33 Analysis of Human nature in Frankenstein43.

9、1 Humans God Complex43.2 Humans Oedipus Complex.63.3 Humans Sociality84 Realistic meaning of the analysis105 Conclusion12Bibliography13Acknowledgements15Analysis of Human Nature in Frankenstein1IntroductionMary Wollstonecraft Shelley (1797 - 1851) was born in London, England. She was the only daught

10、er of two literary celebrities. Her father William Godwin (1756 - 1836) was a revolutionary philosopher and novelist. Her mother Mary Wollstonecraft (1759 -1797), the author of the Rights of Woman , was in the vanguard of feminism. Unfortunately, Mary Wollstonecraft died giving birth to Mary, leavin

11、g her daughter in the care of his husband. Mary spent her childhood in a very miserable situation. She could not expect any love from her stepmother. At the age of sixteen, she met the famous British poet, Percy Bysshe Shelley (1792 - 1822) whom she later married. Shelley helped her not only in her

12、life but also in her literary success. She always has conversations with Shelley about life and literature. Most of their conversations aroused her inspiration for her novels. In the summer of 1816, Mary Shelley and her husband visited Switzerland. While they stayed at the Chapuis in Geneva, they ha

13、d to spend the night at the Villa Diodati due to an incredible storm. They agreed that each one write a story founded on some supernatural occurrence. However, Marys Frankenstein was the only one that completed. “It proved a wet, ungenial summer,” Mary Shelley remembered in 1831, “and incessant rain

14、 often confined us for days to the house.” (Shelley, 1980: 21) Amongst other subjects, the conversation turned to the experiments of the 18th century natural philosopher and poet Erasmus Darwin, who was said to bring a corpse or assembled body parts to life. Sitting around a log fire at Byrons villa

15、, the company also amused themselves by reading German ghost stories, prompting Byron to suggest they each write their own supernatural tale. Shortly afterwards, in a waking dream, Mary Godwin conceived the idea for Frankenstein:I saw the pale student of unhallowed arts kneeling beside the thing he

16、had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavor to mock the stupendous mechan

17、ism of the Creator of the world. ( 刘玉红, 1997:83)She began writing what she assumed would be a short story. With Percy Shelleys encouragement, she expanded this tale into her first novel, Frankenstein: or, The Modern Prometheus, published in 1818, which made Mary Shelley known as mother of the scienc

18、e fictions.The tale relates the tragic experiences of Frankenstein, a Geneva student of natural philosophy, who discovers the secret of life and succeeds in imparting life to an artificial human being. The “thing” Frankenstein has created and abandoned later takes its revenge against its creator. In

19、 order to catch this vicious monster and kill it for human betterment, Frankenstein pursues the monster to the Arctic and dies there. (Johnson, 1982) The monster makes a decision to destroy itself, too. Many people show their interest in this novel not only because it is one of the earliest written

20、science fictions in the English literature but also because it had eccentric and unconstrained plots. It also had very complex and complicated description about human nature and this thesis seeks to analyze Mary Shelleys views on human nature and finds the significant meaning for todays human and sc

21、ience development.2Origin of Mary Shelleys Views on Human Nature2.1Influence from Gothic Novels“Gothic novel, tales of the macabre, fantastic, and supernatural, usually set amid haunted castles, graveyards, ruins, and wild picturesque landscapes.” (Frederick, 1997: 23) The Gothic novel was very popu

22、lar in the late 18th century and the early 19th century, especially among female readers, who indulged themselves in these terrifying romantic stories. “They took delight in talking about the ghastly and bloodcurdling castles, the deep and remote wilderness, the bloody murder, and the mysterious sup

23、ernatural phenomena.” Although Mary did not write any castles in Frankenstein, she showed the bloody laboratory, the deep and remote forests and mountains where both the scientist and the monster had lived for some time, the bloody murders that the monster committed, and above all, the mysterious su

24、pernatural creation of a human being. Since Frankenstein is a Gothic tale of terror, it has almost all the distinguishing features of Gothic novel such as terrifying plot, the bleak wilderness, the bloody murder, etc. However, it has also revealed the black side of human race, which is a new feature

25、 of Gothic tales. With the influence of Gothic novels, Mary Shelly focused her description, on black side of human nature.2.2Influence from RomanticismRather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Fr

26、ankenstein, and Shelley imbues the text with her own brand of politicized Romanticism, one that criticized the individualism and egotism of traditional Romanticism Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own

27、destiny. These traits are not portrayed positively; as Blumberg writes, “his relentless ambition is a self-delusion, clothed as quest for truth.”(Blumberg, 1993: 50)2.3Influence from Life ExperiencesMary Shelley had the extremely confused feeling of pregnant and giving birth to a child. She was preg

28、nant when she was sixteen and it happened almost every year for five years. Most of her babies died soon after their births. Besides, she was an illegal mother at that time because she was not married to Shelley then. The filthy description in Frankenstein demonstrates Mary Shelleys terrifying feeli

29、ng about the maternal instinct.In this novel, Mary Shelley concerned much on the creation of life. The creation of life was described as filthy dirty and bloody. For example, the condition of the experimental laboratory of Frankenstein was miserable; Frankenstein himself became seriously ill and the

30、 materials for his creation came from the graves, charnel houses, the dissecting room and slaughterhouse. (Clemit, 2003:30)3Analysis of Human nature in Frankenstein3.1Humans God ComplexMary Shelley subtitled her novel The Modern Prometheus. “Prometheus (the name means” Forethought”) appears in Greek

31、 myth as a divine being, one of the Titans, descended from the original union of the Sky God with the Earth Mother. In some stories, he is the creator of mankind, and he is always their champion. He is supposed to have stolen fire for them from Heaven when they were denied it by Zeus, and to have be

32、en punished by being fastened to a cliff in the Caucasus where an eagle tore daily at his liver. “Frankenstein shared many similarities with Prometheus. In Frankenstein, the scientist played the role of the modern Prometheus. He was the creator of a human being. Although he abandoned his creation, h

33、e could not avoid taking the responsibility of it that was his intellectual invention. Once the crazy scientist gained it, his fall began and he would be excluded from the paradise of life. Both Frankenstein and Prometheus had done something for human betterment; however, both of them were punished

34、seriously. Prometheus was punished because of fire while Frankenstein suffered from his own actions because of knowledge. Prometheus was chained to a rock, where an eagle plucked at his liver each day. The next day, his liver would grow back again and the eagle ate it again. He had to endure this tr

35、agic experience day after day. Frankenstein also endured some miserable things, such as lost of his family and friend. However, Prometheus endured the corporal punishment while Frankenstein suffered the spiritual sufferings. He was disturbed by a state of utmost confusion and terror. Prometheus soug

36、ht fire for human betterment; Frankenstein was bold enough to challenge the power of God. Fire can be very useful to human beings, but it can be very destructive, too. So is knowledge. In Frankenstein, the monster learned to use fire to make his food more delicious and he used the same thing to kill

37、 people as well. It was knowledge that made Frankenstein become a researcher in the vanguard of scientific progress meanwhile it was the same knowledge that destroyed his life and happiness.Frankenstein is a very good novel of new ideas and exciting plots. Almost every character in Frankenstein show

38、s his interest in developing his own situation and does something for human betterment. (孟东红, 2006:4)The first narrator Walton goes to create around in order to seek an extremely new place for human beings. Frankenstein, the scientist in the novel tries every effort to create a living human being th

39、at he dreams to be perfect but unfortunately it is very different from his dream. Frankenstein plays the role of a Modern Prometheus. Prometheus in the Greek myths sought fire for human betterment. Though ugly and dangerous, the monster is the victim of Frankensteins scientific experiment.Frankenste

40、in, speaking of himself as a young man in his fathers home, points out that he pursues knowledge of the “world” though investigation. As the novel progresses, it becomes clear that the meaning of the word “world” is for Frankenstein, very much biased or limited. He thirsts for knowledge of the tangi

41、ble world and if he perceives an idea to be as yet unrealized in the material world, he then attempts to work on the idea in order to give it, as it were, a worldly existence. Hence, he creates the creature that he rejects because its worldly form did not reflect the glory and magnificence of his or

42、iginal idea. (Shelley, 1989: 60) Frankenstein begins to build on his scientific knowledge and when he goes to Ingolstadt and finds a mentor in Waldman, he also starts to take his study of chemistry seriously. There, he becomes part of the new science that penetrates “into the recesses of nature, and

43、 show how she works in her hiding places”. (吴定柏, 1998:85-86) However, ideas are simply not enough to cause a young and intelligent man like Frankenstein to try to take on the role of the ultimate Creator and bring life to a corpse. Shelly shows us that the external or the society at large will alway

44、s intermingle with the internal or the emotional and psychological makeup of the person. It is Frankensteins own “chimerical” makeup- a confidence in the male scientific ability, a belief in the male prerogative to control nature by the accumulation of knowledge, the absence of a tempering maternal

45、influence and his own hubris, that leads him to “circumvent the natural channels of procreation”. (王永志, 1993: 9) His knowledge of the world is ironically one that is created in piecemeal; Hence the creature can be seen as a physical representation of the terrible patching up of mismatched parts to m

46、ake a whole. In trying to be more than he is, that is, a human being, Frankenstein finds himself wedged in between nature and God, becoming estranged from his immediate society as he becomes burdened with the tragedies brought about by the creature. Mary Shelley had the extremely confused feeling of

47、 pregnant and giving birth to a child.It was in the middle of the Industrial Revolution in Britain that Mary Shelley wrote Frankenstein. New technologies, such as the mechanization of spinning and weaving and improvements in the modes of transportation, led to a shift in the country from being a lar

48、gely agricultural and commercial society to being the worlds first industrial nation. This transformation fomented economic and political upheaval. Agitation for more rights for workers and women had its onset in this period. The Romantic poets revolted against the formality of neo-classicism and ad

49、vocated a return to nature and a world of imagination and unconscious feelings. All of society was influenced by the Napoleonic Wars and the ideas of the French Revolution. (严春友, 2002: 78)The debate between scientific discoveries and traditional religious and metaphysical thought was starting to take shape, and the ethics of how far m

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