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1、 Zigzag improvements This chair design seems to be folded twice a lightning bolt, called Lightning chair. (Zig Zag chair). Material is very simple, prominent form of twists and turns, looks more like a sculpture, rather than the furniture. This is a Dutch design movement before World War II De Stijl
2、 backbone designer Gary Liteweide works. He designed this chair in 1932, but production should be in 1934, this chair is produced by Cassina. If we say De Stijl movement, this chair first to sport a specific image works, and then we will know more about the De Stijl in exploring what.To say the trut
3、h, this chair is really to be placed in a specific time, under certain conditions to see, to know its value. In the 1930s, the modern design just evolved, pay attention to rational rejection decorative modernism controversial. Nazis came to power in 1933, Hitler first thing to do is to ban modernism
4、, when the heads of state on April 1, the 4th closed the Bauhaus. After the confiscation of all German Museum, the Gallery of Modern Art, this time to design a not only does not have any traditional forms of chairs, and with such an extreme form of lightning, which is very little shock. Can not thin
5、k, no one thinks this way, the design of Liteweide naturally to him in the history of design laid an important position. This chair is also two world wars directly modern design almost the last of a number of works, a few years, the Netherlands gave the German occupation, modernism raids throughout
6、Europe. This is not so much a chair, might as well say that this is a history of the period, the Dutch De Stijl movement, the three main origin of the modernist design movement, the other two are Germanys Bauhaus, the composition of the Russian movement. Dutch De Stijl movement relatively small scal
7、e, because the country is small, the industry is also low, but the level design in the Netherlands is very advanced.Modern design began in the early 20th century, precisely, is formed in Europe in the two world wars in the middle of twenty years, of which there are four or five very important center
8、. Such as the Bauhaus School of Design (1919-1933), Russian Constructivism, Le Corbusier new construction Dutch De Stijl movement is one of the important centers, Design Lightning chair Liteweide is the central figure in the De Stijl . He designed a series of strong constitute style furniture, is th
9、e worlds first batch of modern furniture works, and has such a strong exploratory furniture has never been rare, less production, so basically Museum level. Some people took Liteweides chair when the sculpture in the home, commercial space, very eye-catching.Dutch De Stijl movement, the three main o
10、ne of the origins of the modernist design movement, the other two are the Bauhaus in Germany, Russia and the composition of movement. Dutch De Stijl movement relatively small scale, because the country is small, the industry is also low, but the level design in the Netherlands is very advanced. The
11、full name Liteweide called Gerrit Thomas Rietveld, born in 1888, died in 1964, architect, furniture designer, he was born in Utrecht Razvan, Netherlands (Utrecht), took his father from an early age apprenticed to docarpenter, after allowing him to study jewelry design, with a jewelers called Bogy (C
12、JBegeer) for art, after 1911, his own furniture for a living, and the use of spare time with architect Clapham (PJ Klaarhamer,)learning architectural design, diverted to design buildings in 1919, under the prevailing conditions, construction is self-taught, requiring less. At that time, a Dutch arch
13、itect Robert Van Hove (Robert vant Hoff) introduced him to a customer, the customer took the American architect Frank Wright furniture photos, let him follow suit one. This live is not quite large, he soon made up by Hove, he come into contact with just the rise of De Stijl (should be started in 191
14、7, activities, and published De Stijl this publication) design of a small group. Stijl emphasized pure artistic expression, pure primary colors, simple criss-cross geometric space staggered to form a new style of design and art, Liteweide very touching, from 1919 to participate in the organization,
15、he Stijl in a very long time, from 1919-1931, which is basically from start to finish took part in the activities of this organization, to participate in this event before 1917, or 1918, he designed his famous red and blue chair (red-blue chair), already has the characteristics of later De Stijl , a
16、nalog-to-digital units, square, rectangular strips of wood, wood combination, red and blue colorful chair height Cubism symbolic features, and the leading figures of the De Stijl Mondrian painting has many intrinsically linked. This work and Mondrians paintings as well known, but also laid Liteweide
17、 an important position within the De Stijl. The the Lightning chair Liteweide Stijl aesthetic has been very adept when works with red and blue chair and lightning chair, we can make a comparison, they perceived that design Lightning chair when he has no Monte Lee-bright colors to highlight their own
18、 performance, but only with simple geometric forms, to reach a very pure purpose. This can also be said to be a consummate performance. However, in the 1930s, de Stijl as a movement has passed, style magazine ceased publication in 1928, this movement is less the center, this time the Liteweide desig
19、n orders less and less, Lightning chair almost his lastone of the more famous works Stijl.Liteweide used as a way to design the interior of these chairs in Amsterdam in 1920, he designed a jewelry shop G & S, the first floor of the store all the style, but unfortunately was demolished. Later, he des
20、igned the Schroder House in Utrecht (the Schroder House) Stijl reflected, the building was completed in 1924, which put him in the red and blue chair, chair Lightning is very unified this building is now the worlds cultural heritage, if given the opportunity to go to Utrecht, absolutely do not forge
21、t to look at the Schroeder residential, Liteweide chair have a better understanding of. Liteweide became famous after World War II, continue to design residential, he died in 1964. Amsterdam Gary Liteweide College (Gerrit Rietveld Academie), is a world-famous School of Design, is named after him. Du
22、tch De StijlDutch De Stijl, also known as neo-shape school of painting, founded in the Netherlands in 1917 to 1928 by Mondrian et al. The aim of the painting is completely reject the use of any figurative elements, pure color and geometric image performance purely spiritual. Representatives Ott van
23、Doesburg, Bart van de Lake.Basic IntroductionDe Stijl is the Dutch painter, designer, architect between 1917 to 1928, organized a loose collective, said its loose due toDutch De Stijl (8) compared to Cubism, Surrealism movement, De Stijl movement and not the complete structure and declarations, to p
24、articipate in this sport a lot of people do not know each other, and the participation of people never exhibition for their work. They do not have membership only able to show the style of the De Stijl exhibition is the exhibition held in Paris in the mid-1920s. Campaign to promote dos Berger, and m
25、aintain collective centers this time publishing a magazine called style and also dos Berger, the editor of the magazine.During the First World War, the Netherlands as a neutral country and the other countries involved in the war with each other in the political and cultural isolation. In the case of
26、 very few outside influences, some of Fauvism, Cubism, Futurism modern concept of enlightened artists began efforts to explore the development path of the avant-garde art in the Netherlands, and the unique achievement of Thatcher, forming the famous Stijl (DeStijl, Dutch, the the meaning of of that
27、is, style).Stijl was formally established in 1917, the central figure of Mondrian and van Doesburg, other collaborators include painter lek (BartvanderLeck) Hu Sapporo (VilmosHuszar,), sculptor the Wandong Gloria (CeorgesVantongerllo,), constructionthe division Oude (J.J.P.Oud,), Rietveld (GerritRie
28、tveld), and other people.Stijl from the outset, the pursuit of artistic abstraction and simplification. Artists who Netherlands StijlThe concern is: simplify the images until their own artistic elements. Thus, plane, lines, rectangles become a pillar in the art, the color is also reduced to three pr
29、imary colors of red, yellow, blue and black, white and gray three non-color. Art sufficient clarity, order and simple to establish precise and strict self-sufficient and perfect geometric style. For the Stijl this artistic goals, Mondrian prefer to use the term new style (Neo-Plasticism) to express.
30、 FeatureTraditional building, furniture and product design Dutch De StijlDesign, painting, sculpture features completely stripped into a basic set structure monomer, or called elements.The geometry monomer mix and form a simple structure combination, but in the new portfolio structure, the monomer r
31、emains relatively independent and distinct visibility.In-depth study of the non-symmetrical line in use.4 very special repeated application of horizontal and vertical geometry and basic primary colors and neutral colors.The above points characteristics can be clearly seen from the works of Mondrian.
32、AchievementA point of view on the new building: new construction should be anti-established Dutch style piesCube2 four-dimensional decomposition method (by a box to be unbundled, giving each surface flow, extended dynamic)ArtistThe painters P Mondrian Rietveld dos BergerLike Mies van der Rohe design
33、ed the Barcelona World Exposition German Pavilion with a four-dimensional decomposition method, surfaces are separated from each other, not hinder like and extended open next week, which made me immediately think of the Wright prairie houses , the Dutch De StijlThe Stijl four-dimensional decompositi
34、on, with Lai Teli, with the intention of a large area of low roof seems the same nature, in fact, at the time that there Stijl architect full of strong works of the American Institute of Architects interest.See the works of Japanese architect Tadao Ando, like his building light create the atmosphere
35、 of shock and awe the audiences soul, like concrete and glass fusion collision a virtual one real strong visual effect. Compared to the work of Tadao Ando, De Stijl architecture have become more vibrant colors, and more focus on the asymmetry of the building itself, surface interspersed. Put the two
36、 together want them to be in the space expansion approach than right, I think Tadao Ando building is the use of the large area of the same material, thus giving birth to extend the visual space; Stijl facade of separation, that is four-dimensional decomposition, the Building space liquidity. Only fo
37、r Utrecht, Rietveld Schroder House, the anti-symmetric, abstract geometric composition, with smooth walls and building components subject to different colors residential space expansion does not seem to less than Tadao Andos work than the German Pavilion of Mies van de Rowe Barcelona Worlds Fair, it
38、 was more like a three-dimensional works of Mondrian.UniqueTadao Ando than Mies van de Rowe works in this three-dimensional works of Mondrian more lively, not only because of its different component colors decoration, unique in its structure, formal. Dutch De StijlThe Stijl sometimes called new styl
39、e camp (Ner-plasticism) or feature to send (Elementarism) opinion Stijl in France in the early twentieth century Cubism (Cubism) branch of the arts and variants.Stijl and constructivism is manifested not only in painting and sculpture, but also in many aspects of architectural decoration, furniture,
40、 printing Binding. Some of the original painter, and later also engaged in the construction and furniture design. Stijl and form a faction interested in geometry, space and color composition effect. As painted store and Sculpture, their work does not reflect the objective things, so it is anti-reali
41、sm. Stijl, Constructivism and modern Western many other art schools in these areas by the experiments and explorations of modern architecture and practical industrial design is instructive.Stijl was formally established in 1917, the central figure of Mondrian and Van Doesburg, other collaborators in
42、clude painter lek (BartvanderLeck) Hu Sapporo (VilmosHuszar,), sculptor the Wandong Gloria (CeorgesVantongerllo,), architect Oude (J.J.P.Oud), Rietveld (GerritRietveld,) et al. Obviously, De Stijl, as a movement, are widely involved in painting, sculpture, design, construction and many other fields,
43、 the full range of its impact.Abstract simplifyStijl from the outset, the pursuit of artistic abstraction and simplification. It is against the personality, to the exclusion of all manifestations of ingredients is committed to explore a common human spiritual expression that is purely abstract. Mond
44、rian prefer to use the term new style (Neo-Plasticism) to express. He neo-shape interpreted as a means, By this means, naturally colorful compressed into a certain shape performance art become an expression as precise as mathematics intuitive means of the basic features of the universe. the ultimate
45、 goal of art is not by eliminating discernible theme, to create an abstract structure , but performance in humans and the universe, he felt highly mystical. Ideas and artistic practice of the art of Mondrian and its partners have an important advocacy positions - style magazine. This influential com
46、ments since the founding of the magazine since June 16, 1917, for the spread of ideas and works of De Stijl confluence made great contributions Stijl name from it. The magazine is responsible for editorial work by Van Doesburg, Mondrian is the star. Until 1924, style magazine has been an important s
47、tage of the doctrine of the new styling. Subsequently, Doesburg give up the principle of strict style of new style , and published the basic elements of Marxism (Ere-) Declaration. He rectangular composition 45 degree angle to the pursuit of a more dynamic form of expression, slash shape is clearly
48、deviates from the straight line advocated by Piet Mondrian. At the same time, style magazine issue Suppl to Dada Open. With the addition of Arp et al, the group has become loose and complex. The dishonest annoyed Mondrian, so he published in 1924 in the style magazine last article, they parted ways
49、with them. A later date, Mondrian continue to explore the neo-shape until death; Doesburg engage in the basic elements of Marxist experiment. In 1928, style magazine ceased publication. In 1931, Doesburg died Dusibaofu the Memorial human husband, the last in 1932, a special issue. It is undeniable that the style magazine had an important impact on the European avant-garde art.Far-reaching i