《2012考研英语一真题及答案.doc》由会员分享,可在线阅读,更多相关《2012考研英语一真题及答案.doc(24页珍藏版)》请在taowenge.com淘文阁网|工程机械CAD图纸|机械工程制图|CAD装配图下载|SolidWorks_CaTia_CAD_UG_PROE_设计图分享下载上搜索。
1、2012考研英语一真题及答案Section I Use of EnglishDirections:Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points)Ancient Greek philosopher Aristotle viewed laughter as “a bodily exercise precious to health.” But1some claims to the contrary
2、, laughing probably has little influence on physical fitness. Laughter does 2 short-term changes in the function of the heart and its blood vessels, 3 heart rate and oxygen consumption. But because hard laughter is difficult to 4 , a good laugh is unlikely to have 5 benefits the way, say, walking or
3、 jogging does. 6 , instead of straining muscles to build them, as exercise does, laughter apparently accomplishes the 7 . Studies dating back to the 1930s indicate that laughter 8 muscles, decreasing muscle tone for up to 45 minutes after the laugh dies down.Such bodily reaction might conceivably he
4、lp 9 the effects of psychological stress. Anyway, the act of laughing probably does produce other types of 10feedback that improve an individuals emotional state.11 one classical theory of emotion, our feelings are partially rooted 12 physical reactions. It was argued at the end of the 19th century
5、that humans do not cry 13 they are sad but that they become sad when the tears begin to flow.Although sadness also 14 tears, evidence suggests that emotions can flow 15 muscular responses. In an experiment published in 1988, social psychologist Fritz Strack of the University of Wrzburg in Germany as
6、ked volunteers to 16 a pen either with their teeth thereby creating an artificial smile or with their lips, which would produce a(n) 17 expression. Those forced to exercise their smiling muscles 18 more enthusiastically to funny cartoons than did those whose mouths were contracted in a frown, 19 tha
7、t expressions may influence emotions rather than just the other way around. 20 , the physical act of laughter could improve mood.1.A among B except C despite D like2.A reflect B demand C indicate D produce3.A stabilizing B boosting C impairing D determining4.A transmit B sustain C evaluate D observe
8、5.A measurable B manageable C affordable D renewable6.A In turn B In fact C In addition D In brief7.A opposite B impossible C average D expected8.A hardens B weakens C tightens D relaxes9.A aggravate B generate C moderate D enhance10.A physical B mental C subconscious D internal11.A Except for B Acc
9、ording to C Due to D As for12.A with B on C in D at13.A unless B until C if D because14.A exhausts B follows C precedes D suppresses15.A into B from C towards D beyond16.A fetch B bite C pick D hold17.A disappointed B excited C joyful D indifferent18.A adapted B catered C turned D reacted19.A sugges
10、ting B requiring C mentioning D supposing20.A Eventually B Consequently C Similarly D ConverselySection I Use of English1.C 2.D 3.B 4.B 5.A 6.B 7.A 8.D 9.C 10.A 11.B 12.C 13.D 14.C 15.B 16.D 17.A 18.D 19.A 20.CSection II Reading ComprehensionPart ADirections:Read the following four texts. Answer the
11、 questions below each text by choosing A, B, C or D. Mark your answers on ANSWER SHEET 1. (40 points)Text 1The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in
12、 2009. For the most part, the response has been favorable, to say the least. “Hooray! At last!” wrote Anthony Tommasini, a sober-sided classical-music critic.One of the reasons why the appointment came as such a surprise, however, is that Gilbert is comparatively little known. Even Tommasini, who ha
13、d advocated Gilberts appointment in the Times, calls him “an unpretentious musician with no air of the formidable conductor about him.” As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez, that seems likely to have
14、struck at least some Times readers as faint praise.For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interesting compositions, but it is not necessary for me to visit Avery Fisher Hall, or anywhere else, to hear inte
15、resting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music from iTunes.Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point. For the time, attention, and money of the art-lov
16、ing public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20thcentury. These recordings are cheap, available everywhere, and very often much higher in
17、artistic quality than todays live performances; moreover, they can be “consumed” at a time and place of the listeners choosing. The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert.One possible response is for classica
18、l performers to program attractive new music that is not yet available on record. Gilberts own interest in new music has been widely noted: Alex Ross, a classical-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly different, more vibrant organization
19、.” But what will be the nature of that difference? Merely expanding the orchestras repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relationship between Americas oldest orchestra and the new audience it hopes to attract.21. We learn from Parag
20、raph 1 that Gilberts appointment hasA incurred criticism. B raised suspicion. C received acclaim. D aroused curiosity.22. Tommasini regards Gilbert as an artist who isA influential. B modest. C respectable. D talented.23. The author believes that the devoted concertgoersA ignore the expenses of live
21、 performances. B reject most kinds of recorded performances.C exaggerate the variety of live performances. D overestimate the value of live performances.24. According to the text, which of the following is true of recordings?A They are often inferior to live concerts in quality.B They are easily acc
22、essible to the general public.C They help improve the quality of music.D They have only covered masterpieces.25. Regarding Gilberts role in revitalizing the Philharmonic, the author feelsA doubtful. B enthusiastic. C confident. D puzzled.Text 2When Liam McGee departed as president of Bank of America
23、 in August, his explanation was surprisingly straight up. Rather than cloaking his exit in the usual vague excuses, he came right out and said he was leaving “to pursue my goal of running a company.” Broadcasting his ambition was “very much my decision,” McGee says. Within two weeks, he was talking
24、for the first time with the board of Hartford Financial Services Group, which named him CEO and chairman on September 29.McGee says leaving without a position lined up gave him time to reflect on what kind of company he wanted to run. It also sent a clear message to the outside world about his aspir
25、ations. And McGee isnt alone. In recent weeks the No. 2 executives at Avon and American Express quit with the explanation that they were looking for a CEO post. As boards scrutinize succession plans in response to shareholder pressure, executives who dont get the nod also may wish to move on. A turb
26、ulent business environment also has senior managers cautious of letting vague pronouncements cloud their reputations.As the first signs of recovery begin to take hold, deputy chiefs may be more willing to make the jump without a net. In the third quarter, CEO turnover was down 23% from a year ago as
27、 nervous boards stuck with the leaders they had, according to Liberum Research. As the economy picks up, opportunities will abound for aspiring leaders.The decision to quit a senior position to look for a better one is unconventional. For years executives and headhunters have adhered to the rule tha
28、t the most attractive CEO candidates are the ones who must be poached. Says Korn/Ferry senior partner Dennis Carey: “I cant think of a single search Ive done where a board has not instructed me to look at sitting CEOs first.”Those who jumped without a job havent always landed in top positions quickl
29、y. Ellen Marram quit as chief of Tropicana a decade ago, saying she wanted to be a CEO. It was a year before she became head of a tiny Internet-based commodities exchange. Robert Willumstad left Citigroup in 2005 with ambitions to be a CEO. He finally took that post at a major financial institution
30、three years later.Many recruiters say the old disgrace is fading for top performers. The financial crisis has made it more acceptable to be between jobs or to leave a bad one. “The traditional rule was its safer to stay where you are, but thats been fundamentally inverted,” says one headhunter. “The
31、 people whove been hurt the worst are those whove stayed too long.”26. When McGee announced his departure, his manner can best be described as beingA arrogant. B frank. C self-centered. D impulsive.27. According to Paragraph 2, senior executives quitting may be spurred byA their expectation of bette
32、r financial status.B their need to reflect on their private life.C their strained relations with the boards.D their pursuit of new career goals.28. The word “poached” (Line 3, Paragraph 4) most probably meansA approved of. B attended to. C hunted for.D guarded against.29. It can be inferred from the
33、 last paragraph thatA top performers used to cling to their posts.B loyalty of top performers is getting out-dated.C top performers care more about reputations.D its safer to stick to the traditional rules.30. Which of the following is the best title for the text?A CEOs: Where to Go?B CEOs: All the
34、Way Up?C Top Managers Jump without a NetD The Only Way Out for Top PerformersText 3The rough guide to marketing success used to be that you got what you paid for. No longer. While traditional “paid” mediasuch as television commercials and print advertisements still play a major role, companies today
35、 can exploit many alternative forms of media. Consumers passionate about a product may create “earned” media by willingly promoting it to friends, and a company may leverage “owned” media by sending e-mail alerts about products and sales to customers registered with its Web site. The way consumers n
36、ow approach the process of making purchase decisions means that marketings impact stems from a broad range of factors beyond conventional paid media.Paid and owned media are controlled by marketers promoting their own products. For earned media, such marketers act as the initiator for users response
37、s. But in some cases, one marketers owned media become another marketers paid media for instance, when an e-commerce retailer sells ad space on its Web site. We define such sold media as owned media whose traffic is so strong that other organizations place their content or e-commerce engines within
38、that environment. This trend, which we believe is still in its infancy, effectively began with retailers and travel providers such as airlines and hotels and will no doubt go further. Johnson & Johnson, for example, has created BabyCenter, a stand-alone media property that promotes complementary and
39、 even competitive products. Besides generating income, the presence of other marketers makes the site seem objective, gives companies opportunities to learn valuable information about the appeal of other companies marketing, and may help expand user traffic for all companies concerned.The same drama
40、tic technological changes that have provided marketers with more (and more diverse) communications choices have also increased the risk that passionate consumers will voice their opinions in quicker, more visible, and much more damaging ways.Such hijacked media are the opposite of earned media: an a
41、sset or campaign becomes hostage to consumers, other stakeholders, or activists who make negative allegations about a brand or product. Members of social networks, for instance, are learning that they can hijack media to apply pressure on the businesses that originally created them.If that happens,
42、passionate consumers would try to persuade others to boycott products, putting the reputation of the target company at risk. In such a case, the companys response may not be sufficiently quick or thoughtful, and the learning curve has been steep. Toyota Motor, for example, alleviated some of the dam
43、age from its recall crisis earlier this year with a relatively quick and well-orchestrated social-media response campaign, which included efforts to engage with consumers directly on sites such as Twitter and the social-news site Digg.31. Consumers may create “earned” media when they areA obsessed w
44、ith online shopping at certain Web sites.B inspired by product-promoting e-mails sent to them.C eager to help their friends promote quality products.D enthusiastic about recommending their favorite products.32. According to Paragraph 2, sold media featureA a safe business environment. B random compe
45、tition.C strong user traffic. D flexibility in organization.33. The author indicates in Paragraph 3 that earned mediaA invite constant conflicts with passionate consumers.B can be used to produce negative effects in marketing.C may be responsible for fiercer competition.D deserve all the negative co
46、mments about them.34. Toyota Motors experience is cited as an example ofA responding effectively to hijacked media.B persuading customers into boycotting products.C cooperating with supportive consumers.D taking advantage of hijacked media.35. Which of the following is the text mainly about?A Altern
47、atives to conventional paid media.B Conflict between hijacked and earned media.C Dominance of hijacked media.D Popularity of owned media.Text 4Its no surprise that Jennifer Seniors insightful, provocative magazine cover story, “I Love My Children, I Hate My Life,” is arousing much chatter nothing gets people talking like the suggestion that child rearing is anything less than a completely fulfilling, life-enriching experience. Rather than concluding that children make parents either happy or miserable, Senior suggests we need to redefine happiness: instead of th