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1、精选优质文档-倾情为你奉上Unit1Howard Gardner, a professor of education at Harvard University, reflects on a visit to China and gives his thoughts on different approaches to learning in China and the West. 哈佛大学教育学教授霍华德加德纳回忆其中国之行，阐述他对中西方不同的学习方式的看法。 Learning, Chinese-StyleHoward Gardner 1 For a month in the spring
2、 of 1987, my wife Ellen and I lived in the bustling eastern Chinese city of Nanjing with our 18-month-old son Benjamin while studying arts education in Chinese kindergartens and elementary schools. But one of the most telling lessons Ellen and I got in the difference between Chinese and American ide
3、as of education came not in the classroom but in the lobby of the Jinling Hotel where we stayed in Nanjing. 中国式的学习风格霍华德加德纳 1987年春，我和妻子埃伦带着我们18个月的儿子本杰明在繁忙的中国东部城市南京住了一个月，同时考察中国幼儿园和小学的艺术教育情况。然而，我和埃伦获得的有关中美教育观念差异的最难忘的体验并非来自课堂，而是来自我们在南京期间寓居的金陵饭店的大堂。 2 The key to our room was attached to a large plastic b
4、lock with the room number on it. When leaving the hotel, a guest was encouraged to turn in the key, either by handing it to an attendant or by dropping it through a slot into a box. Because the key slot was narrow, the key had to be positioned carefully to fit into it. 我们的房门钥匙系在一块标有房间号的大塑料板上。酒店鼓励客人外
5、出时留下钥匙，可以交给服务员，也可以从一个槽口塞入钥匙箱。由于口子狭小，你得留神将钥匙放准位置才塞得进去。 3 Benjamin loved to carry the key around, shaking it vigorously. He also liked to try to place it into the slot. Because of his tender age and incomplete understanding of the need to position the key just so, he would usually fail. Benjamin was n
6、ot bothered in the least. He probably got as much pleasure out of the sounds the key made as he did those few times when the key actually found its way into the slot. 本杰明爱拿着钥匙走来走去，边走边用力摇晃着。他还喜欢试着把钥匙往槽口里塞。由于他还年幼，不太明白得把钥匙放准位置才成，因此总塞不进去。本杰明一点也不在意。他从钥匙声响中得到的乐趣大概跟他偶尔把钥匙成功地塞进槽口而获得的乐趣一样多。 4 Now both Ellen
7、and I were perfectly happy to allow Benjamin to bang the key near the key slot. His exploratory behavior seemed harmless enough. But I soon observed an interesting phenomenon. Any Chinese staff member nearby would come over to watch Benjamin and, noting his lack of initial success, attempt to assist
8、. He or she would hold onto Benjamins hand and, gently but firmly, guide it directly toward the slot, reposition it as necessary, and help him to insert it. The teacher would then smile somewhat expectantly at Ellen or me, as if awaiting a thank you and on occasion would frown slightly, as if consid
9、ering us to be neglecting our parental duties. 我和埃伦都满不在乎，任由本杰明拿着钥匙在钥匙的槽口鼓捣。他的探索行为似乎并无任何害处。但我很快就观察到一个有趣的现象。饭店里任何一个中国工作人员若在近旁，都会走过来看着本杰明，见他初试失败，便都会试图帮忙。他们会轻轻握紧本杰明的手，直接将它引向钥匙的槽口，进行必要的重新定位，并帮他把钥匙插入槽口。然后那位“老师”会有所期待地对着我和埃伦微笑，似乎等着我们说声谢谢偶尔他会微微皱眉，似乎觉得我俩没有尽到当父母的责任。 5 I soon realized that this incident was dir
10、ectly relevant to our assigned tasks in China: to investigate the ways of early childhood education (especially in the arts), and to throw light on Chinese attitudes toward creativity. And so before long I began to introduce the key-slot anecdote into my discussions with Chinese educators. 我很快意识到，这件
11、小事与我们在中国要做的工作直接相关 ：考察儿童早期教育 （尤其是艺术教育）的方式，揭示中国人对创造性活动的态度。因此，不久我就在与中国教育工作者讨论时谈起了钥匙槽口一事。 TWO DIFFERENT WAYS TO LEARN6 With a few exceptions my Chinese colleagues displayed the same attitude as the staff at the Jinling Hotel. Since adults know how to place the key in the key slot, which is the ultimate
12、purpose of approaching the slot, and since the child is neither old enough nor clever enough to realize the desired action on his own, what possible gain is achieved by having him struggle? He may well get frustrated and angry certainly not a desirable outcome. Why not show him what to do? He will b
13、e happy, he will learn how to accomplish the task sooner, and then he can proceed to more complex activities, like opening the door or asking for the key both of which accomplishments can (and should) in due course be modeled for him as well. 两种不同的学习方式 我的中国同行，除了少数几个人外，对此事的态度与金陵饭店工作人员一样。既然大人知道怎么把钥匙塞进
14、槽口这是处理槽口一事的最终目的， 既然孩子还很年幼，还没有灵巧到可以独自完成要做的动作，让他自己瞎折腾会有什么好处呢？他很有可能会灰心丧气发脾气这当然不是所希望的结果。为什么不教他怎么做呢？他会高兴，他还能早些学会做这件事，进而去学做更复杂的事，如开门，或索要钥匙这两件事到时候同样可以 （也应该）示范给他看。 7 We listened to such explanations sympathetically and explained that, first of all, we did not much care whether Benjamin succeeded in insertin
15、g the key into the slot. He was having a good time and was exploring, two activities that did matter to us. But the critical point was that, in the process, we were trying to teach Benjamin that one can solve a problem effectively by oneself. Such self-reliance is a principal value of child rearing
16、in middle-class America. So long as the child is shown exactly how to do something whether it be placing a key in a key slot, drawing a hen or making up for a misdeed he is less likely to figure out himself how to accomplish such a task. And, more generally, he is less likely to view life as America
17、ns do as a series of situations in which one has to learn to think for oneself, to solve problems on ones own and even to discover new problems for which creative solutions are wanted. 我俩颇为同情地听着这一番道理，解释道，首先，我们并不在意本杰明能不能把钥匙塞进钥匙的槽口。他玩得开心，而且在探索，这两点才是我们真正看重的。但关键在于，在这个过程中，我们试图让本杰明懂得，一个人是能够很好地自行解决问题的。这种自力
18、更生的精神是美国中产阶级最重要的一条育儿观。如果我们向孩子演示该如何做某件事把钥匙塞进钥匙的槽口也好，画只鸡或是弥补某种错误行为也好那他就不太可能自行想方设法去完成这件事。从更广泛的意义上说，他就不太可能如美国人那样将人生视为一系列的情境，在这些情境中，一个人必须学会独立思考，学会独立解决问题，进而学会发现需要创造性地加以解决的新问题。 TEACHING BY HOLDING HIS HAND8 In retrospect, it became clear to me that this incident was indeed key and key in more than one sens
19、e. It pointed to important differences in the educational and artistic practices in our two countries. 把着手教 回想起来，当时我就清楚地意识到，这件事正是体现了问题的关键之所在而且不仅仅是一种意义上的关键之所在。这件事表明了我们两国在教育和艺术实践上的重要差异。 9 When our well-intentioned Chinese observers came to Benjamins rescue, they did not simply push his hand down clums
20、ily or uncertainly, as I might have done. Instead, they guided him with extreme facility and gentleness in precisely the desired direction. I came to realize that these Chinese were not just molding and shaping Benjamins performance in any old manner: In the best Chinese tradition, they were ba zhe
21、shou jiao teaching by holding his hand so much so that he would happily come back for more. 那些善意的中国旁观者前来帮助本杰明时，他们不是简单地像我可能会做的那样笨拙地或是犹犹豫豫地把他的手往下推。相反，他们极其熟练地、温和地把他引向所要到达的确切方向。我逐渐认识到，这些中国人不是简单地以一种陈旧的方式塑造、引导本杰明的行为：他们是在恪守中国传统，把着手教，教得本杰明自己会愉快地要求再来一次。 10 The idea that learning should take place by continua
22、l careful shaping and molding applies equally to the arts. Watching children at work in a classroom setting, we were astonished by their facility. Children as young as 5 or 6 were painting flowers, fish and animals with the skill and confidence of an adult; calligraphers 9 and 10 years old were prod
23、ucing works that could have been displayed in a museum. In a visit to the homes of two of the young artists, we learned from their parents that they worked on perfecting their craft for several hours a day. 学习应通过不间断的精心塑造与引导而得以实现，这一观念同样适用于艺术。我们观看了孩子们在教室里学习艺术的情景，他们的娴熟技艺令我们惊讶。年仅5、6岁的孩子就带着成人的那种技巧与自信在画花、
24、画鱼和动物；9岁、10岁的小书法家写出的作品满可以在博物馆展示。有一次去两位小艺术家的家里参观，我们从孩子的父母处得知，他们每天练习数小时以完善他们的技艺。 CREATIVITY FIRST? 11 In terms of attitudes to creativity there seems to be a reversal of priorities: young Westerners making their boldest departures first and then gradually mastering the tradition; and young Chinese bei
25、ng almost inseparable from the tradition, but, over time, possibly evolving to a point equally original. 创造力第一？ 从对创造力的态度来说，优先次序似乎是颠倒了：西方的年轻人先是大胆创新，然后逐渐深谙传统；而中国的年轻人则几乎离不开传统，但是，随着时间的推移，他们同样可能发展到具有创新的境界。 12 One way of summarizing the American position is to state that we value originality and independe
26、nce more than the Chinese do. The contrast between our two cultures can also be seen in terms of the fears we both harbor. Chinese teachers are fearful that if skills are not acquired early, they may never be acquired; there is, on the other hand, no comparable hurry to promote creativity. American
27、educators fear that unless creativity has been acquired early, it may never emerge; on the other hand, skills can be picked up later. 美国人的立场可以概括起来这么说，我们比中国人更重视创新和自立。我们两种文化的差异也可以从我们各自所怀的忧虑中显示出来。中国老师担心，如果年轻人不及早掌握技艺，就有可能一辈子掌握不了；另一方面，他们并不同样地急于促进创造力的发展。美国教育工作者则担心，除非从一开始就发展创造力，不然创造力就有可能永不再现；而另一方面，技艺可于日后获得
28、。 13 However, I do not want to overstate my case. There is enormous creativity to be found in Chinese scientific, technological and artistic innovations past and present. And there is a danger of exaggerating creative breakthroughs in the West. When any innovation is examined closely, its reliance o
29、n previous achievements is all too apparent (the standing on the shoulders of giants phenomenon). 但我并不想夸大其辞。无论在过去还是在当今，中国在科学、技术和艺术革新方面都展示了巨大的创造力。而西方的创新突破则有被夸大的危险。如果仔细审视任何一项创新，其对以往成就的依赖则都显而易见（“站在巨人肩膀之上”的现象）。 14 But assuming that the contrast I have developed is valid, and that the fostering of skills
30、 and creativity are both worthwhile goals, the important question becomes this: Can we gather, from the Chinese and American extremes, a superior way to approach education, perhaps striking a better balance between the poles of creativity and basic skills? 然而，假定我这里所说的反差是成立的，而培养技艺与创造力两者都是值得追求的目标，那么重要
31、的问题就在于：我们能否从中美两个极端中寻求一种更好的教育方式，它或许能在创造力与基本技能这两极之间获得某种较好的平衡？Unit2A question from a puzzled little boy set Karl Green thinking about how, despite his lack of expensive possessions, he is nonetheless rich in many other ways.A Left Full Of Riches富足的一生 卡尔格林 1. It was early December 2003, my first season
32、as a Salvation Army bell ringer, when I was confronted with the question. I was standing just outside the doorway of a Wal-Mart, offering a thank you and a smile to each person who dropped a donation into my red kettle. A neatly dressed woman and her young son walked up to the kettle stand. While sh
33、e searched her purse for some cash, the boy looked up at me. I can still see the confusion and curiosity in his eyes as he asked, Are you poor? 1. 首次面对这个问题，是在2003年12月初，我第一次为救世军摇铃募捐的时候。当时我就站在沃尔玛商场入口处门外，对每一位向我的红壶里投入捐款的人都报以一声“谢谢”和一个微笑。一位穿着整洁的妇人牵着她的幼子向放壶的台子走过来。她在钱包里摸着找钱时，孩子抬头看了我一眼， 问我：“你穷吗？”当时他眼里充满疑惑和好奇
34、，时至今日仍历历在目。2. Well, I stammered, trying to think, I have more than some people, but not as much as others. His mother scolded him for the social no-no, and they hurried off to do their shopping. His question, however, did not leave me.2.“嗯，”我结结巴巴，边想边回答，“我比有些人拥有的多，但比其他人拥有的少。”母亲因为孩子问了一个在社交上不该问的问题，训斥了他
35、一顿，他俩便匆匆的赶去购物。但是孩子的问题却一直留在我的心头挥之不去。3. Ive never thought of myself as poor, but I cant deny certain facts. Every time I fill out my 1040 form, I fall into one of the lowest income brackets. In the past 35 years, Ive taken just one vacation trip. My TV is a black-and-white set that someone gave me eig
36、ht years ago.3.我从不认为自己“穷”，但有些事实我不可否认。每当我填1040税务申报表时，我都属于收入最低的档次之一。在过去的三十五年中，我只出去度过一次假。我的电视机是黑白的，还是八年前别人送给我的。 4. Yet I feel nothing more than a passing whim to attain the material things so many other people have. My 1999 car shows the wear and tear of 105,000 miles. But it is still dependable. My ap
37、artment is modest, but quiet and relaxing. My clothes are well suited to my work, which is primarily outdoors. My minimal computer needs can be met at the library.4. 然而，想要得到其他那么多人都有的物质的东西，对我来说，只不过是转瞬即逝的念头而已。我的汽车是1999年的产品，到现在开了十万五千英里，已经很破很旧了，但是它依然可靠。我的住房不大，但是很安静，住着挺舒心。我的衣服很适合于我的工作，主要都在户外。我对计算机的很少的需求，
38、可以在图书馆得到解决。5. In spite of what I dont have, I dont feel poor. Why? Ive enjoyed exceptionally good health for 53 years. Its not just that Ive been illness-free, its that I feel vigorous and spirited. Exercising is actually fun for me. I look forward to long, energizing walks. And I love the can do at
39、titude that follows.5.尽管有些东西我没有，我并不感到贫穷。这是为什么？五十三年来我一直非常健康。我不但不生病，而且精力充沛，情绪饱满。锻炼对我而言是确确实实的快事，我乐意长距离步行，越走越有劲。我喜爱步行后随之产生的一种“什么都干得了”的心态。6. I also cherish the gift of creativity. When I write a beautiful line of poetry, or fabricate a joke that tickles someone, I feel rich inside. Im continually surpris
40、ed at the insights that come through my writing process. And talking with so many interesting writer friends is one of my main sources of enjoyment.6.我还十分珍惜我的创作才能。当我写出美丽的诗句或编造出能把人逗乐的笑话时，我内心感到很富有。通过写作而获得的洞察力，不断地令我惊奇。而与那么多写作朋友交谈，是我乐趣的主要源泉之一。7. But there is one vital area of my life where I am not so w
41、ell off. In a society that spends so much emotional energy on the pursuit of possessions, I feel out of place. 7.但是在我生活中，有一个重要方面我并不那么富有。在一个对物资财富的追求投入如此之多心力的社会中，我觉得很不自在。8. When I was younger, there was an exceptionally interesting person I dated. What was most important to her, she told me, was whats
42、 on the inside. I thought I had found someone special to share my life with. Then I took her to see my apartment. At the time, I lived in a basement efficiency with a few pieces of dated furniture. The only new, comfortable chair was the one at my desk. Shortly after her visit, our relationship went
43、 straight south.8.我年轻时曾与一位非常有趣的女士谈过朋友。她对我说，对她而言，最重要的是“一个人的内心”。我以为我找到了非同一般的生活伴侣。后来我就带她到我的寓所。当时我住的是一个地下室经济型小套间，只有几件陈旧的家具。唯一新而舒适的椅子是书桌旁的那把。她来访后不久，我们的关系就急转直下。 9. The seemingly abrupt change in her priorities was jolting. It remains a most memorable turning point in my personal journey.9. 她所看重的东西似乎突然有了变化
44、，使我大为震动。在我的人生旅途上，这仍然是一个最难以忘怀的转折点。10. In contrast to relationships, stuff just doesnt mean that much to me. I think most people feel the same wayexcept when there are social consequences to not having particular items. There is a commercial on the radio that begins, Everybody wants a high-end TV The
45、pressure to purchase is real. It may be true that everybody wants a high-end TV. After all, nobody wants to be a nobody.10.相对于人际关系而言，物质财富对我并不那么重要。我认为大多数人与我同感除非当某一物品的缺失会引发社会后果时，人们才会有不同的想法。电台播放的一个商业广告开头这样说：“每个人都想拥有一台高档电视”，购买这种电视机的压力千真万确。也许每个人真的都想要一台高档电视机，毕竟没有人想做一个无名之辈11. But Im happy to live without o
46、ne. In fact, not being focused on material goods feels quite natural to me. There are many people throughout the world who would consider my lifestyle to be affluent.11.但是没有这样的电视机我也照样活得快乐。事实上不专注于物质财富，对我而言相当自然。在这个世界上有很多人认为我活得很富足。12. Near the end of the year, when I put on the Salvation Armys red apro
47、n, something changes inside me. Instead of feeling out of place economically, I begin to feel a genuine sense of belonging. As I ring my bell, people stop to share their personal stories of how much it meant to be helped when they were going through a rough time. People helping people is something I
48、 feel deeply connected to. While Im ringing the bell, complete strangers have brought me hot chocolate, leaving me with a lingering smile. Countless individuals have helped to keep me warm with the sentiments of the season: Thank you for ringing on such a cold day. Can I get you a cup of coffee? Bless you for your good work. Decembe